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Post by justabba on May 30, 2020 7:17:44 GMT
Just to clarify one point. Eagle was never played or a hit in south Africa. The record company opted for thank you for the music and that indeed reached number 2 in the official charts.
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Post by Deleted on May 30, 2020 7:42:35 GMT
Justin -- I now see that, (in 1978), South Africa was the only Country - that released 'Eagle' - to have made 'Thank You For The Music' the 'A' Side and 'Eagle' the 'B' Side. Regarding my saying that 'Eagle' reached No.2 in South Africa - I was going by what Wikipedia says. It also, (correctly), says that 'Thank You For The Music' reached No.2. Therefore, Wikipedia must think that it was a Double 'A' Side in South Africa. en.wikipedia.org/wiki/Eagle_(song)#Chart_positions Madonnabba -- Queen's 8 UK Million Selling Singles, start with 'Bohemian Rhapsody' - of course. Queen had 6 UK No.1 Singles. However, none of the other 7, even reached No.1. (There are 8 and not 7. I missed one). 2 of the 8 never even reached the Top 5! 2 of them are from 1984. Bear in mind, that Queen had such a bad Year, in 1982, that they could have split up. Instead they returned in 1984 and were huge again. I just wish that ABBA had done that too... 'We Are The Champions' & 'We Will Rock You' can't be far from 1 Million UK Sales. 'Somebody To Love' had a very odd 1st 2 Weeks, in the UK Charts. It entered at No.4 - and was still there, the next Week! Then it rose to No.2. 'We Are The Champions' made 2 big jumps - 30 to 13 - in its 1st 2 Weeks. It then rose from No.13 to No.6. But, it was still at No.6, in Week 4. It looked like it would not get into the Top 5, but it rose from No.6 to No.2 in Week 5. It was at No.2 for 3 Weeks. The first 2 Weeks, saw it held at No.2, by ABBA's 'The Name Of The Game', in its 3rd and 4th No.1 Weeks. Week 3 at No.2, saw it held at No.2, by 'Mull Of Kintyre' by Wings. It all reminds me of 'Fernando', in the German Top 100. That entered at No.5. Then was still at No.5 a Week later. Then it got to No.1 - for 7 Weeks - with 22 Weeks in the Top 10. It became ABBA's Biggest German Hit Single... Queen's other 7 UK Million Selling Singles - In UK Sales Order - (Highest to Lowest): Don't Stop Me Now -- Only reached No.9 in 1979, I Want To Break Free -- No.3 in 1984 Somebody To Love -- No.2 in 1976 Another One Bites The Dust -- Only a UK No.7 Hit in 1980 Radio Ga Ga -- No.2 in 1984 Killer Queen -- No.2 in 1974 -- (One of my favourites - but not a big World Hit) Crazy Little Thing Called Love -- No.2 in 1979
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Post by gamleman on May 30, 2020 8:54:59 GMT
Although I asked the question about "I Wonder" on the "Greatest Hits Vol. 2" album, I don't think it's a bad song, just not one of their best. I have never thought it deserved a place on the album, mainly because it wasn't a single - indeed, it was a B-side, but that was the live version. I don't believe B&B should have allowed it on the album, as the album's title was "Greatest Hits", not "Best Of". I think this song gave Frida the opportunity to showcase her voice in a sort of power-ballad, but it is probably my least favourite song from "The Album".
I suspected that "Voulez-vous" may have been left off "Greatest Hits Vol. 2" because they didn't want too many songs from the "Voulez-vous" album on there, but why choose "Angeleyes" over it? I actually prefer "Angeleyes" but in most countries "Voulez-vous" was the A-side and "Angeleyes" the B-side. "Thank You For The Music" was another slightly odd choice, although my understanding is that "Eagle"/"Thank You For The Music" was regarded as a double-A-side in many countries. Of course, "Rock Me" was on there for the reasons described above by @onlyabba4me . It had also been covered in the UK by Brendon, although it didn't chart.
The single of "I Have A Dream" was released after "Greatest Hits Vol. 2" - the release of this album really coincided with "Gimme Gimme Gimme" and the 1979 tour. Perhaps they didn't even know they were going to release IHAD at this time. It was certainly a shock to me. I didn't really see it as a single and was surprised to be going back to the "Voulez-vous" album after having a new song in "Gimme Gimme Gimme". I wish they had put the live version of IHAD on one side and the studio version on the other.
I'm sorry, with this discussion of "Greatest Hits Vol. 2" I've been deviating from the topic of the thread.
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Post by justabba on May 30, 2020 9:40:37 GMT
I don't think any apology is needed! In these dark days its great to be able to chat with fellow ABBA lovers!
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Post by Deleted on May 30, 2020 11:36:52 GMT
Gamieman -- I always forget that 'Greatest Hits Vol.2' was released as 'early', as late October, in 1979. You are right, it was released several Weeks before, 'I Have A Dream'. That Album had enough time to do this, even before 'I Have A Dream' entered the UK Singles Chart - 8-1-1-1-2. That was up until the W/E 8th December 1979. On W/E 15th December 'I Have A Dream' entered the Singles Chart at No.21. However, the BMRB, (Chart Compilers), ended their Sales Year on W/E 8th December - so not one of the UK Sales, of 'I Have A Dream', was added to the Top 100 of the Year! Which is why it failed to make the Top 100 of 1979. The same with 'Another Brick In The Wall' by Pink Floyd. That Hit eventually sold a UK Million, but only 2 Weeks of its Sales were counted in 1979 - No.26 and No.2. 'Greatest Hits Vol.2' was the UK's 8th Album, for 1979, but only its first 5 Weeks Sales were added in. It was also the 67th Best Selling UK Album of the 1970's - but the Decade's, Top 100 UK Singles & Albums, also cut off on W/E 8th December 1979. It would have been much higher, if the Sales for the 15th, 22nd and 29th December were added in. That includes rising above 'Voulez-Vous', which was 55th, for the Decade. The 'Voulez-Vous' Album, was the UK's 5th for 1979. So ABBA had 2 Albums, in the UK's Top 10 of the Year. ABBA had also managed that once before. In 1977, they were 1st with 'Arrival' and 9th with 'Greatest Hits'. (In the Top 100 Albums of the 1970's: 'Greatest Hits' was 2nd, 'Arrival' was 7th and 'The Album' was 20th). Another Site announces that ABBA have a New Album coming out: 'Beyond The Stage' Magazine announced it on Thursday - May 28th. LINK: link
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Post by Alan on May 30, 2020 14:39:22 GMT
I suspected that "Voulez-vous" may have been left off "Greatest Hits Vol. 2" because they didn't want too many songs from the "Voulez-vous" album on there, but why choose "Angeleyes" over it? I actually prefer "Angeleyes" but in most countries "Voulez-vous" was the A-side and "Angeleyes" the B-side. Because Angeleyes, in both the UK and Ireland, reached number 3. This was a higher chart position than Voulez-Vous achieved in any country other than Belgium (and pretty much every single they released there was number one). Also, in the US, the two have separate chart positions. Angeleyes reached number 64 and Voulez-Vous number 80. This more than justifies its position on Greatest Hits Vol 2. Both the 1970s Greatest Hits albums included tracks only released as singles in certain markets, and Rock Me was in that category. They could have left off I Wonder and included Voulez-Vous instead though. Five tracks from The Album made it onto Vol 2, against just three each from Arrival and Voulez-Vous, so they could have balanced it out better. Guessing they didn’t want to harm sales of the V-V album and therefore deliberately left off a single. I Have A Dream was more of a last-minute release, probably not planned for when Vol 2 was released. A calculated move though - by not including it on the compilation, sales of the single and album didn’t harm each other, and also meant there were two reasons (V-V and IHAD) to still get that album. All worked out rather well.
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Post by gamleman on May 30, 2020 16:59:22 GMT
As far as I know, the "GH Vol. 2" album had a tracking listing common to all territories, which is why as I was puzzled as to the choice of "Angeleyes" over "Voulez-vous", when some countries wouldn't have known it as an A-side. In fact, some countries didn't have it as a B-side either - for example, in Spain "Kisses Of Fire" was the B-side of "Voulez-vous". I think the No 3 peak position in the UK can be attributed to both songs, as it was a double-A-side. I dare say that "Angeleyes" got the most radio play and was possibly the most popular of the two songs, but we only ever saw a promotional video for "Voulez-vous" on TOTP. But anyway, I suspect they didn't want too much overlap between the two albums they released in 1979.
I am taking the headline "ABBA Announces New Album in 2020" of that Beyond The Stage article with a pinch of salt, particularly the word "Album". Benny may have said "five songs", but five songs don't constitute an album, even though we have been discussing how the new songs may be combined with existing material to make up an album. Most people reading that headline would probably be thinking of an entire album of new material.
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Post by Michal on May 30, 2020 17:06:49 GMT
I am taking the headline "ABBA Announces New Album in 2020" of that Beyond The Stage article with a pinch of salt, particularly the word "Album". Benny may have said "five songs", but five songs don't constitute an album, even though we have been discussing how the new songs may be combined with existing material to make up an album. Most people reading that headline would probably be thinking of an entire album of new material. I guess the only thing that can stop the rumours once and for all is the actual release of the new material (no matter how many songs there really are). They'd better do it as soon as possible...
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Post by Deleted on May 30, 2020 17:50:59 GMT
Let's hope so.
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Post by Alan on May 30, 2020 19:48:29 GMT
As far as I know, the "GH Vol. 2" album had a tracking listing common to all territories, which is why as I was puzzled as to the choice of "Angeleyes" over "Voulez-vous", when some countries wouldn't have known it as an A- Side. You could say the same about Lay All Your Love on Me on Gold. It was released on 12” in a few countries but only the UK and Ireland made it a substantial hit. In any case, Voulez-Vous has got its revenge over Angeleyes since by its inclusion on both The Singles and Gold, which has had the effect of re-writing history in the UK, with most people not realising it was the primary A-side in 1979 and assuming Voulez-Vous was.
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Post by gazman on May 30, 2020 20:18:16 GMT
Alan - I suspect you're right. Some of my work colleagues (in the 25-35 age range) heard 'Angeleyes' a little while back - none of them knew who sang it and they were surprised when they learned it was ABBA. And 2 of them owned 'ABBA GOLD'!
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Post by gazman on May 30, 2020 20:36:53 GMT
Also - regarding 'Lay All Your Love On Me' - I always concluded that its appearance on 'ABBA GOLD' was due to the fact that Erasure took it to number 1 in the UK in 1991 as part of their 'ABBA-esque' EP. Thus ensuring that all 4 tracks on that EP were included...
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Post by Alan on May 31, 2020 19:38:41 GMT
Also - regarding 'Lay All Your Love On Me' - I always concluded that its appearance on 'ABBA GOLD' was due to the fact that Erasure took it to number 1 in the UK in 1991 as part of their 'ABBA-esque' EP. Thus ensuring that all 4 tracks on that EP were included... That must have had some influence, but also, the fact that Gold was devised by the UK arm of Polydor (then under Polygram) was also a reason. Of 19 UK top ten hits, 18 made it onto Gold, with the 19th (Summer Night City) being edged out by Thank You For The Music. One can imagine the people behind it looking at chart positions in The Guinness Book of British Hit Singles and picking the 19 tracks from it. Possibly it was a tie between Summer Night City (no. 5) and Lay All Your Love On Me (no. 7) in terms of which to leave off, but then Erasure made the decision for them. SOS (no. 6) was safe as it was the one that brought them back from the UK wilderness. The other 15 hits were all UK top 4. The main concession for non-UK countries was Voulez-Vous, but its inclusion on The Singles in 1982 decided that.
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Post by gamleman on May 31, 2020 20:07:39 GMT
Also - regarding 'Lay All Your Love On Me' - I always concluded that its appearance on 'ABBA GOLD' was due to the fact that Erasure took it to number 1 in the UK in 1991 as part of their 'ABBA-esque' EP. Thus ensuring that all 4 tracks on that EP were included... That must have had some influence, but also, the fact that Gold was devised by the UK arm of Polydor (then under Polygram) was also a reason. Of 19 UK top ten hits, 18 made it onto Gold, with the 19th (Summer Night City) being edged out by Thank You For The Music. One can imagine the people behind it looking at chart positions in The Guinness Book of British Hit Singles and picking the 19 tracks from it. Possibly it was a tie between Summer Night City (no. 5) and Lay All Your Love On Me (no. 7) in terms of which to leave off, but then Erasure made the decision for them. SOS (no. 6) was safe as it was the one that brought them back from the UK wilderness. The other 15 hits were all UK top 4. The main concession for non-UK countries was Voulez-Vous, but its inclusion on The Singles in 1982 decided that. That sounds entirely plausible, as it was the Erasure EP that paved the way for the release of ABBA Gold (I don't believe the release would have happened without it). I do think we have to count "Voulez-vous" as a No 3 single (so one of 16 Top 4 hits on the album), as it can't be extricated from that double-A-side. Here, it was probably chosen over "Angeleyes" because of Erasure's version and it being the dominant A-side elsewhere. I imagine "Thank You For The Music" was considered a fitting necessity and "Summer Night City" lost out because of one of those Benny & Bjorn decisions in that they didn't like it (judging by comments reported on the Wikipedia page for the song).
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Post by foreverfan on Jun 1, 2020 6:29:15 GMT
Although we are off topic here it really doesn’t matter , at least we have something to discuss.. SNC, should’ve been on Gold. I understand why TYFTM is there, but it was a small hit, and only on Gold as a commercial favourite and an “ Anthem” . If re packaged again it’s the track that should be removed, but won’t because of marketing, and money... SNC , It’s The only top 10 hit missing. ( in the UK). Therefore I cant see these new tracks being added to the detriment of any of the others.. so a new album of sorts looks inevitable really, what form that takes remains to be seen...
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Post by Michal on Jun 1, 2020 11:50:38 GMT
Well, they can expand the ABBA Gold album with a bonus EP too. I hope they won't but I wouldn't be surprised if they did...
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Post by Alan on Jun 1, 2020 16:02:45 GMT
That sounds entirely plausible, as it was the Erasure EP that paved the way for the release of ABBA Gold (I don't believe the release would have happened without it). ABBA Gold would have happened - it would have been planned long before Erasure’s EP came along. Even the track listing had probably already been decided. Polygram had to wait for all local licenses to expire after they acquired Polar in 1989. The three year licenses would all have expired by early 1992 and they could then unleash Gold without having to worry about any local record companies cashing in. I actually think it was more the other way round - Polygram wanted some kind of promotion ahead of Gold so, aware that Andy Bell was a big ABBA fan, helped persuade them to record it. Some kind of deal must have been done. It all seemed like a happy coincidence but these things rarely are. All worked out well for all concerned.
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Post by gamleman on Jun 1, 2020 17:26:17 GMT
I'm sure you are right that PolyGram would have released "ABBA Gold" in the absence of the Erasure EP... eventually. I suppose it's possible that they encouraged Erasure but that seems somewhat speculative. Without Erasure's injection of interest in ABBA, I am doubtful that "ABBA Gold" would have seen the light of day in 1992. "Absolute ABBA" had been pretty much a failure in the UK only four years earlier.
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Post by justabba on Jun 1, 2020 17:41:14 GMT
I will never forget the excitement of checking teletext on TV (for those of us old enough to remember! ) and seeing gold entering at number 1!
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Post by Deleted on Jun 1, 2020 21:11:27 GMT
In both late 1991 and early 1992, Polydor Staff, were telling the UK Media that 'Gold' was going to be released, sometime later, in 1992. That was several Months before the Erasure ABBA EP was released, in June 1992. 'ABBA Gold' was planned Months before its release, in September 1992. There were rumours that its 1st Single - 'Dancing Queen' - was a Remix. So, some Fans believed that - even though, it was obvious, that it was just the 1976 version, on CD. I noticed it, the 1st time I heard it. The Official UK Charts Company, still think that it was a Remix. In their ABBA 'Section', they don't add it to the 'Chart Run' of the 1976 Hit. They call the 1992 release, 'Dancing Queen (1992). They do regard its 5 Top 100 Weeks as being by the 1976 'Dancing Queen', and they allow them to be combined. In later Years, Benny revealed that he had worked on, a 'Dancing Queen' Remix, a few Years after ABBA split up. However, he didn't like the Remix, and it was decided, never to release it.
I think that the 2 follow-up Singles, to the 1992 'Dancing Queen', were wrong. I recall, being terribly upset, at the time, as I knew that neither would reach the UK Charts. The 2nd 'ABBA Gold' Single, was 'Voulez-Vous', which failed to reach the Top 75. The 2nd one was 'Thank You For The Music' and 'Happy New Year', but the CD Cover and the Label, made it confusing, as to which was the 'A' Side. That had no chance, to be a Hit. On the Monday, that it was released, I went into several Record Stores, to see where they had placed it, in their 'Predictive' Charts. It wasn't in any of their Charts. It was in all of their 'Bargain Bins'. Which meant: 'This will not be a Hit'. It wasn't. It flopped. I would have made a couple of ABBA's No.1's, the 2nd and 3rd 'Gold' releases. Singles, that were regarded as 'Classics'. Probably, 'Knowing Me, Knowing You' and 'The Winner Takes It All'. I'm pretty sure, that they'd have been Hits once more. (As would 'Fernando' and 'Take A Chance On Me'). I decided, that whoever chose 'Gold' Singles, 2 and 3, had no idea, what they were doing...
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Post by justabba on Jun 1, 2020 21:29:26 GMT
In both late 1991 and early 1992, Polydor Staff, were telling the UK Media that 'Gold' was going to be released, sometime later, in 1992. That was several Months before the Erasure ABBA EP was released, in June 1992. 'ABBA Gold' was planned Months before its release, in September 1992. There were rumours that its 1st Single - 'Dancing Queen' - was a Remix. So, some Fans believed that - even though, it was obvious, that it was just the 1976 version, on CD. I noticed it, the 1st time I heard it. The Official UK Charts Company, still think that it was a Remix. In their ABBA 'Section', they don't add it to the 'Chart Run' of the 1976 Hit. They call the 1992 release, 'Dancing Queen (1992). They do regard its 5 Top 100 Weeks as being by the 1976 'Dancing Queen', and they allow them to be combined. In later Years, Benny revealed that he had worked on, a 'Dancing Queen' Remix, a few Years after ABBA split up. However, he didn't like the Remix, and it was decided, never to release it. I think that the 2 follow-up Singles, to the 1992 'Dancing Queen', were wrong. I recall, being terribly upset, at the time, as I knew that neither would reach the UK Charts. The 2nd 'ABBA Gold' Single, was 'Voulez-Vous', which failed to reach the Top 75. The 2nd one was 'Thank You For The Music' and 'Happy New Year', but the CD Cover and the Label, made it confusing, as to which was the 'A' Side. That had no chance, to be a Hit. On the Monday, that it was released, I went into several Record Stores, to see where they had placed it, in their 'Predictive' Charts. It wasn't in any of their Charts. It was in all of their 'Bargain Bins'. Which meant: 'This will not be a Hit'. It wasn't. It flopped. I would have made a couple of ABBA's No.1's, the 2nd and 3rd 'Gold' releases. Singles, that were regarded as 'Classics'. Probably, 'Knowing Me, Knowing You' and 'The Winner Takes It All'. I'm pretty sure, that they'd have been Hits once more. (As would 'Fernando' and 'Take A Chance On Me'). I decided, that whoever chose 'Gold' Singles, 2 and 3, had no idea, what they were doing... Colin, check your messages I sent you a few Justin
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Post by gazman on Jun 1, 2020 22:57:26 GMT
I had forgotten that there were 3 single releases to accompany the release of 'ABBA GOLD'. I remember buying a 7-inch and a cassette version of 'Dancing Queen' and then a 7 inch version of 'Voulez-Vous' later on. I have no recollection of seeing a 'Thank You For The Music' single in the 1990s, although I think I have seen a photo of the cover.
It was good to see 'DQ' in the charts again, but in hindsight I can't really see why Polydor bothered with the other 2 singles.
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Post by justabba on Jun 2, 2020 5:02:41 GMT
I had forgotten that there were 3 single releases to accompany the release of 'ABBA GOLD'. I remember buying a 7-inch and a cassette version of 'Dancing Queen' and then a 7 inch version of 'Voulez-Vous' later on. I have no recollection of seeing a 'Thank You For The Music' single in the 1990s, although I think I have seen a photo of the cover. It was good to see 'DQ' in the charts again, but in hindsight I can't really see why Polydor bothered with the other 2 singles. I was working in the industry at the time and I had written to suggest they released something different for singles, but they were hell bent on issuing singles that were never going to be hits again!
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Post by gamleman on Jun 2, 2020 8:19:03 GMT
In that case, I think the Erasure EP was heaven-sent (or possibly part of the plan), as I don't believe "ABBA Gold" would have had its initial No 1 success without it. I'm so glad they didn't release a remix of such a classic as "Dancing Queen". Remixes are not usually as good as the original. It's my view that the Spanish version of DQ isn't as good as the English version - its updated backing-track doesn't sound as energetic as the original.
I am absolutely with you on those follow-up singles from Gold. I didn't understand them either. They probably thought VV would tap into ABBA's appeal on the dance-floor. And perhaps they thought TKFTM didn't get a fair hearing the first time around in 1983 (IMO, it should have been released in the UK as a single in 1978 as the follow-up to TACOM, possibly as a double-A with "Eagle"). I don't think there was really any need for two follow-up singles from Gold. If any, a Christmas/New Year single may have been appropriate of "I Have A Dream" / "Happy New Year" / "The Way Old Friends Do", especially with IHAD having been a previous Christmas hit (not that I'm a fan of this song).
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Post by justabba on Jun 2, 2020 8:44:53 GMT
In that case, I think the Erasure EP was heaven-sent (or possibly part of the plan), as I don't believe "ABBA Gold" would have had its initial No 1 success without it. I'm so glad they didn't release a remix of such a classic as "Dancing Queen". Remixes are not usually as good as the original. It's my view that the Spanish version of DQ isn't as good as the English version - its updated backing-track doesn't sound as energetic as the original. I am absolutely with you on those follow-up singles from Gold. I didn't understand them either. They probably thought VV would tap into ABBA's appeal on the dance-floor. And perhaps they thought TKFTM didn't get a fair hearing the first time around in 1983 (IMO, it should have been released in the UK as a single in 1978 as the follow-up to TACOM, possibly as a double-A with "Eagle"). I don't think there was really any need for two follow-up singles from Gold. If any, a Christmas/New Year single may have been appropriate of "I Have A Dream" / "Happy New Year" / "The Way Old Friends Do", especially with IHAD having been a previous Christmas hit (not that I'm a fan of this song). I actually suggested happy new year/the way old friends do for xmas 92, as I knew both had videos. Polygram informed me that the singles market had changed since the 70s, and basically they knew best.
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Post by gamleman on Jun 2, 2020 9:01:51 GMT
Yes, that would have been a nice combination, but I guess they wanted a lead-song that was on the Gold album, hence TYFTM. But why TYFTM was more appropriate than HNY for the singles chart in the early 90s is beyond me.
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Post by justabba on Jun 2, 2020 9:10:45 GMT
Yes, that would have been a nice combination, but I guess they wanted a lead-song that was on the Gold album, hence TYFTM. But why TYFTM was more appropriate than HNY for the singles chart in the early 90s is beyond me. Yes I'm sure, but I was also certain that TYFTM wasn't going to be bigger hit than it had been in 1983. Absolutely it should have been a huge hit in 1978. I'm not sure what I would have used as a single off gold at that time.
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Post by Deleted on Jun 2, 2020 15:38:44 GMT
I still cannot believe the immense success of " Gold " after all these years. I am so glad that ABBA are finally appreciated as one of the greatest pop bands of all time. The minority of people who dislike them do not know what they are missing. The Spice Girls, Girls Aloud and whoever else are not in the same league and will never be. ABBA have enduring appeal and a timeless quality to their music. Let's hope there is a prospect of a brand new album soon.
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Post by Michel on Jun 6, 2020 8:14:06 GMT
I'm so glad they didn't release a remix of such a classic as "Dancing Queen". Remixes are not usually as good as the original. It's my view that the Spanish version of DQ isn't as good as the English version - its updated backing-track doesn't sound as energetic as the original. I wholeheartedly agree. No remixes please. ABBA's originals are such classic recordings. I don't think they can be improved upon. Didn't they use the original backing track for the Spanish version of DQ (with the extra verse)? I also feel it doesn't sound as jubilant or fully produced as the English version. I feel the same way about a couple of other Spanish versions, f.e. Fernando. I don't know what it is exactly. It doesn't sound as warm as the English version. Maybe it's because it has less vocal layers or because B&B are absent from the Spanish recording. I prefer Frida's Swedish solo version to ABBA's Spanish version.
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Post by gamleman on Jun 6, 2020 8:56:52 GMT
I'm so glad they didn't release a remix of such a classic as "Dancing Queen". Remixes are not usually as good as the original. It's my view that the Spanish version of DQ isn't as good as the English version - its updated backing-track doesn't sound as energetic as the original. I wholeheartedly agree. No remixes please. ABBA's originals are such classic recordings. I don't think they can be improved upon. Didn't they use the original backing track for the Spanish version of DQ (with the extra verse)? I also feel it doesn't sound as jubilant or fully produced as the English version. I feel the same way about a couple of other Spanish versions, f.e. Fernando. I don't know what it is exactly. It doesn't sound as warm as the English version. Maybe it's because it has less vocal layers or because B&B are absent from the Spanish recording. I prefer Frida's Swedish solo version to ABBA's Spanish version. I don't think the backing track of the Spanish version of DQ is totally the original. The bass-line may be the same but is more prominent, giving this version a heavier sound. Also, the piano isn't as tinkly and the introductory vocals are relatively muted. The whole thing is less vibrant than the English version. Perhaps the Spanish version of "Fernando" also has a little less atmosphere than the English version - the vocals are closer and it is generally a touch dryer, if that is the right word. The Spanish version that I do slightly prefer over the English version is "Move On".
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