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Post by johnny on Apr 2, 2024 9:50:56 GMT
What star rating for The Visitors? By this I mean the original 9 track album without the bonus tracks.I'd give it ⭐️⭐️⭐️⭐️ and a half!
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Post by HOMETIME on Apr 2, 2024 9:59:35 GMT
It's five full-fat stars from me.
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Post by foreverfan on Apr 2, 2024 12:28:25 GMT
Even if we add in the bonus tracks, it has to be 4.5... , TFTPOO and YOMO are slight let downs, both get bad press but are fine in their own way.......
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Post by truedogz on Apr 2, 2024 19:53:23 GMT
I've gone 4 stars, it is a fine album sonically different from their earlier work. Due to my liking of 60s music I am one of the few around that likes listening to the Ring Ring album so as a generalisation it is less to my taste. But even with that bias I recognise the quality of it.
The great part about the Visitors is that they experimented and came up with some quite different sounds. Like an Angel is brilliant and one commentator in the past has said that they wished that ABBA had offered more 'stripped down' songs. Slipping Through My Fingers is a beautiful tune and perhaps the band's most wistful, reflecting their ageing (love the music box playing it in the Mamma Mia movie). One of Us has received some acclaim for its bass work.
I think ABBA missed a golden opportunity with WAISAD for a hit breakup song. The boys overengineered this track in some ways drowing out a superb melody. It could have been as big a hit as TWTIA if the recording was stripped down as I think the tune is superior and catchier. Listen to the version performed by Kylie Minogue and Benny, it is brilliant. I am rarely critical of B&B's work but in this case they got it wrong (as they did with the engineering in Voyage).
So for me the Visitors doesn't quite hit the peaks in performance as found in Arrival but there is better consistency and flow compared to some of the other studio albums and some quite different offerings. Like Ring Ring they were experimenting and taking risks but with better recording equipment and a wealth of experience under their belt.
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Post by johnny on Apr 2, 2024 20:39:22 GMT
I think ABBA missed a golden opportunity with WAISAD for a hit breakup song. The boys overengineered this track in some ways drowing out a superb melody. It could have been as big a hit as TWTIA if the recording was stripped down as I think the tune is superior and catchier I like WAISAD and see nothing wrong with the production. As for it being a big hit, yes if released in 1981 several months before The Visitors album. No, if released in 1982. ABBA had their day by then. I would have liked a more stripped down The Winner Takes it All. To me that is over-produced and the drumming in it doesn't suit the song and is annoying.
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Post by truedogz on Apr 3, 2024 3:14:10 GMT
I think ABBA missed a golden opportunity with WAISAD for a hit breakup song. The boys overengineered this track in some ways drowing out a superb melody. It could have been as big a hit as TWTIA if the recording was stripped down as I think the tune is superior and catchier I like WAISAD and see nothing wrong with the production. As for it being a big hit, yes if released in 1981 several months before The Visitors album. No, if released in 1982. ABBA had their day by then. I would have liked a more stripped down The Winner Takes it All. To me that is over-produced and the drumming in it doesn't suit the song and is annoying. I too like WAISAD but just think a different approach may have been better, but that is just my opinion. Much prefer the tune to TWTIA. I've never been a huge fan of TWTIA, it comes across as a bit of a musical number, though recognise it as one of their best recordings. Benny has said the lyrics are more powerful than the music which he indicated is fairly simple by his standards. I agree with you on the drumming and stripping down. I think the big appeal of TWITIA that sold it was the clip where people could directly relate to Agnetha's pain. Yes, if WAISAD was released earlier it would have done better. But I can visualise a slower version with a clip focussing on Frida's emotion, Benny at the pianno, that would have tugged at people's heart strings like TWTIA did. WAISAD is a beautiful song. I think Kylie was sincere when she said at the end of this some dreams come true, it was clearly a privelage to perform it with Benny:
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Post by johnny on Apr 3, 2024 8:00:58 GMT
I was never a huge fan of TWTIA either.
I understand Bjorn wrote the lyrics first, and apparently in a few minutes. Both TWTIA and TDBYC seem lyric led songs which may explain the lack of melody.
Tim Rice was on BBC local radio recently. He said for him, the music came first. That way you fit the lyrics to the tune. The other way round ge felt you could get too absorbed in lyrics and its harder to come up with a tune.
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Post by HOMETIME on Apr 3, 2024 10:31:25 GMT
I was never a huge fan of TWTIA either. I understand Bjorn wrote the lyrics first, and apparently in a few minutes. Both TWTIA and TDBYC seem lyric led songs which may explain the lack of melody. Tim Rice was on BBC local radio recently. He said for him, the music came first. That way you fit the lyrics to the tune. The other way round ge felt you could get too absorbed in lyrics and its harder to come up with a tune. I don't think that's true, johnny - for TWTIA, there are earlier lyrics called The Story Of My Life and, before that, there were dummy lyrics in French to mark out the vocal melody. I think some of the more maudlin aspects of the final lyric (which Bjorn says came all at once) can be blamed on the bottle of whiskey consumed by Bjorn when he was writing. I'm not the song's biggest fan either, but I'd struggle to deny that there's a lovely melody there. Same with TDBYC, which is probably my favourite track on Benny's piano album. I think it's a gorgeous melody. What both of these songs seem not to have is a chorus.
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Post by Tinneke on Apr 3, 2024 17:50:25 GMT
The winner takes it all and the day before you came are 2 of the best abbatracks ever. The performances of Agnetha are mind-blowing.
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Post by truedogz on Apr 3, 2024 19:56:49 GMT
Tony, my measure of a pop song is how well it sounds played on the piano and I agrre the basic melody of the TWTIA while simple is nice. The same can be said for WAISAD but I prefer its melody. Both relatively simple songs compared to some the band's other works. Out of curiosity as a melody played on the piano which would you prefer?
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Post by HOMETIME on Apr 3, 2024 20:44:54 GMT
Of those two, I prefer WAISAD as a piano melody.
I take it you know the "Funky ABBA" version, sung by Viktoria Tolstoy with piano accompaniment by Benny? I think it's an incredible version. I can only imagine its heartbreaking power if it were recorded by Benny and Frida in the same style at their current ages.
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Post by jj on Apr 4, 2024 9:59:17 GMT
I understand Bjorn wrote the lyrics first, and apparently in a few minutes. Both TWTIA and TDBYC seem lyric led songs which may explain the lack of melody. Tim Rice was on BBC local radio recently. He said for him, the music came first. That way you fit the lyrics to the tune. The other way round ge felt you could get too absorbed in lyrics and its harder to come up with a tune.
Not true. Plus Bjorn and Benny have always said in interviews, ever since the 1970s, that "the music always come first. We write lyrics to fit the music, it's never the other way around."
Bjorn also said that "I Let the Music Speak" is actually about how he (Bjorn) comes up with song lyrics. He goes home, plays cassettes of the music they recorded in the studio earlier, and then lets this music "tell him what the song is about". "I Let the Music Speak" describes that process of how Bjorn allows the music to speak to him, and how they tell him what each of the songs should be about. Sometimes Bjorn has trouble finding out what the song should be about, hence: "And in the dead of night I find myself a blind man in some ancient valley". <---- That line describes those times when Bjorn has trouble coming up with a lyric for the music he and Benny composed.
"Let it be (the) joy", or let it be "the moment when the day dies", "let it be a joke", "let it be a sigh", whatever the case, Bjorn lets the music speak, he lets the music tell him what type of lyrics suit each melody and tempo.
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Post by jj on Apr 4, 2024 10:12:19 GMT
Tony, my measure of a pop song is how well it sounds played on the piano and I agrre the basic melody of the TWTIA while simple is nice. The same can be said for WAISAD but I prefer its melody. Both relatively simple songs compared to some the band's other works. Out of curiosity as a melody played on the piano which would you prefer? I know you asked Tony, but here's my opinion. I've heard TWTIA played on piano and it's so short and simple that it's extremely repetitive to the point of being daft. You only need to hum it and see for yourself. In no time, it can drive you daffy.
That said, it's a beautiful little construction, consisting of two very simple patterns (The "I don't want to talk/about things we've gone through" parts married to the "The winner takes it all/the loser has to fall" parts) that go together perfectly and beautifully. I think it's the engaging narrative of the lyrics, the story being told, that distracts the listener from realising just how crazily repetitive its melody is. Well done, Bjorn!!
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Post by johnny on Apr 4, 2024 10:19:38 GMT
Re: The Winner Takes it All.
I did hear Bjorn say the song's lyrics were quickly written Perhaps he should have said 'parts' or possibly it was the way the interview was edited.
Both TWTIA and TDBYC sound lyric dominated. That doesn't mean they necessarily came first.
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Post by jj on Apr 4, 2024 10:42:20 GMT
Re: The Winner Takes it All. I did hear Bjorn say the song's lyrics were quickly written Indeed he did say that. That is, for the lyrics of the version we know as TWTIA, he said he wrote those final version lyrics very quickly. He had written another set of lyrics to go with that tune before, and also of course an even earlier dummy-lyric version which is to help sing those notes and to hear how the human voice sounds like singing them.
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