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Post by Deleted on Apr 6, 2017 11:26:36 GMT
I must say that I'm surprised that any ABBA Fans thought that there were many, (if any), 'unreleased' Songs in 'The Vaults'. From things that I've read, over the Decades, I knew that there are 'Alternative Versions' of several Songs, & that is all that I expected Carl Magnus Palm to 'discover' in 'The Vaults'. Which is precisely what has happened. I expected no more than that. Whether 'The Fans' will ever be able to buy them on CD is another matter, of course. But, that argument goes to and fro and never ends. We all know it. Some Fans feel that 'The Fans' deserve to have the 'Alternative Versions'. Others say that we have no right to expect that, & it is OK if 'ABBA' never let us have them. The argument never changes..... In the meantime, some Groups give their Fans 'Treats' as often as they can. 1)... June will see the 50th Anniversary of 'Sergeant Pepper's Lonely Hearts Club Band', (1967), by The Beatles. Several Editions of that Album are being released to celebrate it. There are Alternative Versions & Out-Takes galore. For the purposes of the UK Album Chart, all of the Sales - of each Edition - will be added together. 'Sergeant Pepper' is currently the UK's Best Selling Studio Album, with about 5,170,000 Sales. It is also the UK's 3rd Best Selling Album, as 'ABBA Gold' is in 2nd place, with around 5,400,000 UK Sales. We will see if the various 2017 Editions of The Beatles Album, sell enough, to see it over-take ABBA Gold, & become the UK's 2nd Best Seller. ('Greatest Hits' by Queen, (1981), is 1st - with about 6,200,000 Sales, but 626,000 of those Sales are from a 1994 Double Queen CD & a 2000 Triple Queen CD - 'The Platinum Collection'. It has really sold about 5,574,000, as a stand-alone Album). Link To The 'Sergeant Pepper' Beatles Fans Treats: www.superdeluxeedition.com/news/the-beatles-sgt-peppers-lonely-hearts-club-band-super-deluxe-edition/2)... Also in June, it is the 30th Anniversary of 'The Joshua Tree' by U2, (1987). There will be special Editions of that released. Including a version with 6 Remixes & 8 Out-Takes. www.pastemagazine.com/articles/2017/03/u2-will-release-30th-anniversary-edition-of-the-jo.htmlThose Beatles & U2 releases make Benny & Bjorn look about 80 Years out of touch, in how to treat 'The Fans'.....Let's face it.
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Post by Alan on Apr 6, 2017 22:20:33 GMT
Not sure if it's deliberate, but it's strange for those who do have the book to be pretty quiet about it, theres not a lot of " stuff" coming forward, which does make me think is it to technical for the average reader, or is there actually nothing really new that hasn't been hinted at a million times, i.e. " the Chiquitita story " would be great to hear, but otherwise ? Plus new titles ? An extended DYMK, a remix DQ, torture for some, personally, not getting to bothered unless it's released, but for some, sheer hell I guess. I completely agree. The Chiquitita Story? We knew about that already, and have heard a part of one version. Just A Notion? Yep, we know that exists in full as well. I'm actually quite disappointed there isn't more to learn. Who cares about single/album covers? I can google them and find various sites on the web. Am I missing something? What is there to get excited about?
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Post by chron on Apr 7, 2017 1:30:46 GMT
It's a bit difficult for me to say how much new material there is, as I never had the previous edition and I certainly haven't read all the other ABBA books out there. A lot of the information was new to me though. Is it worth the money? It's hard to say but I am pleased with my purchase. I've got an original edition of the book and I'm going to compare and contrast the two, when I get time. I went for just the e-version of this new edition and since, at this point, I haven't truly embraced the world of e-publishing, it'll take a little while to suss out which versions and app/device combinations work best for long-duration reading. I have had a quick scroll through the PDF version. The layout looks good, and there's a lot of info in there, but just looking at the early part of it, I'm happy I didn't shell out nearly three figures for the physical edition. Most of the pre-ABBA story holds very little interest for me, and that looks to be one of the areas that CMP has beefed up for this new edition - more in-depth-ish looking stuff about Frida and Agnetha's nascent singing careers and so on. Did those who ordered the physical edition get a gratis e-version thrown in as well, btw? They really ought to have done, or got one for a nominal cost at most (I suppose I should know the answer to this; throughout the long run up to the launch I received a host of emails, but didn't open the vast majority).
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Post by Alan on Apr 7, 2017 6:07:00 GMT
Thanks orf, that would be great to hear a comparison between the two editions. I have actually got the original (bought second-hand, years after it came out). It does sound like there's a bit too much padding in the new one. A lot of stuff not really connected to ABBA's recording sessions?
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Post by Michal on Apr 7, 2017 14:42:39 GMT
I have both editions too but I didn't have time to investigate the new one properly yet. Moreover, it's almost 20 years since I read the original edition so I would have to take both books at the same time to compare them. However, there is about 300 pages more, so obviously there has to be more information this time :-) I have noticed some technical stuff that wombat asked for (such as what microphones Agnetha and Frida used) but not much... I guess the interest in the book might have been greater from experienced musicians if it contained more of this information but it would be a much larger volume and more difficult to read for an average reader.
I haven't expected loads of new information about unknown unreleased songs - obviously there aren't any we haven't heard of. But the informations about the ones we already know are much more detailed, it seems. For me it's very interesting and definitely not a torture. :-) Actually, when I thought about it, I can't imagine being in Palm's place, being able to hear everything from the vaults, maybe falling in love with some unreleased tune and knowing I will never be able to hear it again... that would be a real torture.
And as for the price... I don't think it's overpriced, considering that he worked on it for 2 years and sold some 1000 copies only. 90000 pounds for 2 years' work is not that much, is it? Hardly milking of the fans... ;-)
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Post by WATERLOO on Apr 7, 2017 15:36:22 GMT
Not sure if it's deliberate, but it's strange for those who do have the book to be pretty quiet about it, theres not a lot of " stuff" coming forward, which does make me think is it to technical for the average reader, or is there actually nothing new? Well, are we allowed to spoiler? I mean, I just received mine today, quickly scanned through it and nearly fainted when i saw that there are recordings of the 1979 rehearsals which feature a couple of tracks that were not included in the final show. The thing is, though, should I mention these songs? I'm pretty sure there's more like this in the book but it's like talking about a film that people haven't seen.
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Post by foreverfan on Apr 7, 2017 16:17:15 GMT
You can always preface... Viewer Beware... or. Spoiler Alert.... I believe anything that keeps us talking the better, there are few of us as it is, and a pure guess less than 50 percent of the 200 plus actually post anything. so personally go ahead and say what you wish, I don't have to read it.. .. but will...
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Post by lovepigeon on Apr 8, 2017 22:11:38 GMT
Just got home from London, and the event was brilliant. The ABBATalk guys really know how to lay on a do.
CMP was great as usual. Maria Nicholas was absolutely delightful... I had no idea she was an actual fan!
As for the songs performed, I was blown away. CM presented each one in a lightheartedly academic way, so we knew what the story was and what we were listening out for so, for me at least, it actually didn't matter that it wasn't ABBA singing. At the very least, it was most certainly the next best thing. The songs we heard were:
Bang-A-Boomerang (full original version) Terra Del Fuego So Simple Been And Gone And Done It Ladybird In The Arms of Rosalita Hole In Your Soul (full length)
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Post by The Rubber Ball Man on Apr 8, 2017 22:36:21 GMT
What were the songs like?
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Post by Michal on Apr 9, 2017 6:40:54 GMT
Terra Del Fuego in full?! I can't believe my eyes! Considering Benny and Björn's negative feelings towards this one it's suprising they approved it. Another surprise is Ladybird, but this one is said to be a great song and the only reason for abandoning it is that it was similar (or even borrowed some parts?) from a song released by somebody else. The others are what I expected. But it must have been interesting!
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Post by WATERLOO on Apr 9, 2017 8:42:06 GMT
SPOILER!
We all know that LAAPTMR is the only ABBA song that doesn't feature both girls singing. Well, CMP now suggests the same has to be said about Disillusion (which is no real news but many people don't consider this an ABBA song) AND (!) Me and Bobby and Bobby's Brother which seems to be just B, B and F singing.
Furthermore, Honey Honey, Mamma Mia, I Do I Do I Do I Do I Do, My Love My Life, One Man, One Woman, The King Has Lost His Crown, Lovers and Been and Gone and Done it were all considered for the 1979 tour with rehearsals of The King Has Lost His Crown, My Love, My Life, One Man, One Woman and Been And Gone and Done It even being recorded.
The recording of Under My Sun we have is not from these rehearsals and more work on Rubber Ball Man had been done after the day of recording. So it seems the lyrics to Under My Sun were thrown away before it was decided not to work on Rubber Ball Man anymore.
So Simple is an early version of I Wonder that was rehearsed and recorded in 1977. It was only shortly before the tour kicked of that the song got its final lyrics.
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Post by matt on Apr 9, 2017 9:51:13 GMT
I attended the Abbatalk event yesterday as well which was fantastic. Even better to hear some earlier versions of songs. There was a male and female vocalist who did a great job.
Bang A Boomerang- This was sung by both the male and female vocalist. The chorus was pretty identical to the released version but the verses were completely different. It was a nice performance but you can listen to the version by Ulla Pia on Spotify which was taken from this earlier version.
Terra Del Fuego- This wasn't quite complete with the second verse just being a repeat of the first. The chorus sounded fine, not quite sure B&B dislike it so much.
So Simple (I Wonder) - This was sung solo by the male vocalist. The lyrics are about the girl falling in love and wanting to marry her manager so completely different from the finished version. The verses were repeated and they hadn't been completed at the time the 1977 rehearsals were recorded.
Been And Gone And Done It- This was sung by the female vocalist and the verse was repeated 3 times with the same lyrics. It detailed a female who had just got married and regretted being tied down. The instrumental part at the end of the live Wembley version was repeated throughout which sounded great being played on the piano. CMP observed that on the 1979 rehearsal tape, Agnetha and Frida sounded as though they didn't know the song that well.
Lady Bird - This was a nice instrumental. The only part I recognised was the middle eight that was used in Someone Else's Story. Apparently a part was used in a Kristina song as well. CMP has described this as sounding like a Chess demo and this perfectly describes this song I think.
In The Arms of Rosalita - This was definitely the highlight. The verses before the chorus detailed a woman sitting by a window watching a man getting into his car going to see Rosalita. There is a line in the chorus which describes Rosalita as a "fake and a cheater" to which everyone in the audience started laughing. It's a shame we probably won't get to hear the ABBA version.
Hole In Your Soul- This was nice but probably the least interesting version with the additional middle eight and verse. Good way to end the performances though.
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Post by WATERLOO on Apr 9, 2017 14:37:38 GMT
Does anybody have the lyrics for Been and gone and done it? Supposedly they were published in ABBA treasures or another book as a picture of a sheet with Frida's handwriting.
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Post by gary on Apr 9, 2017 19:02:39 GMT
It's interesting to hear first-hand reports of the event yesterday. It sounds like people had a great time. I wish I could have got a ticket!
But the reports also confirm, I think, my impression from reading the book. There simply isn't much in the vaults that is really new. Everything is early or different versions of songs we already know.
The problem (if there is one) is that Benny and Bjorn were never very prolific songwriters. I remember a quote from one of them saying that they only wrote about 12 songs a year. And if they came up with something good, it was released or it was reworked, often much later. There will never be an ABBA equivalent of Bruce Springsteen's Tracks or Bob Dylan's Bootleg Series. Those two writers often wrote many more songs for an album than were used (for example, Springsteen wrote at least 50 songs each for his albums The River and Born In The USA).
The quality of the songs that Benny and Bjorn wrote is amazing, and they maintained very high standards. But I don't think it came easily to them. It was hard graft!
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Post by Deleted on Apr 11, 2017 0:03:27 GMT
I'm getting more and more keen on the book. I might have to go out and rob an old lady of her retirement check, after all!
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Post by WATERLOO on Apr 12, 2017 19:58:07 GMT
MORE SPOILERS:
An earlier version of Happy Hawaii was an Agnetha-solo with many of the harmonies also done by herself while Eagle was sung by all four in unison in an earlier more acoustic guitar driven version.
In The Arms Of Rosalita is not, as we all thought, a Frida-solo. Instead, Agnetha sings the first two verses and Frida the second two verses. The instrumental outro is used as the middle eight with a vocal line by Agnetha while Benny and Björn join the girls for the chorus.
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Post by Alan on Apr 13, 2017 0:26:07 GMT
Thanks for the spoilers, Waterloo.
(I'd only class them as true spoilers if this stuff was actually available to listen to and I hadn't heard them yet!).
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Post by wombat on Apr 13, 2017 12:48:46 GMT
I'm a bad Abba fan. I probably wouldnt listen to these alt versions - outtakes, even if they were available. Not interested, unless its a completely different musical direction. Seems to me these are just endless tiny variations on something I've already heard many times before...
Sorry, my bad.....
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Post by WATERLOO on Apr 13, 2017 14:33:18 GMT
Seems to me these are just endless tiny variations on something I've already heard many times before... Sorry, my bad..... Where have you heard the third verse of HIYS? Or the acoustic guitar version of Eagle with all four singing? Or In the arms of rosalita?
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Post by wombat on Apr 13, 2017 16:10:53 GMT
a third verse doesnt excite me, nor does an acoustic guitar version of Eagle. They arent new songs, they're only working versions of something I've already heard. Rosalita, maybe. But its a working version of Chiq with different lyrics.
I'm not a collector. I dont have to have every single thing they ever did. I mean, I was thrilled awhile back when I found Hovas Vittne on a bootleg. I had never heard that, and it was a brand new song for me. Most of this stuff isnt like that. Bits and pieces that were completed later.
Not really interested, sorry.
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Post by WATERLOO on Apr 13, 2017 21:19:29 GMT
Alright, than your approve does really differ from mine but I can understand where you're coming from.
To me this book is a revelation although I sometimes can't understand why CMP skips certain points that would be so interesting to if he spoke more about then whole he sometimes tells details that I consider unnecessary. But I learned so much from the book. For example – I always wondered why I prefer the Spanish version of Hasta Mañana over the English one and now I know why. The Spanish version has real strings that were overdubbed when Lena Andersson used the ABBA backing track to record her Swedish and German versions. Michael Tretow used that tape when he prepared the backing tracks for the Spanish vocals to be recorded.
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Post by wombat on Apr 14, 2017 12:46:31 GMT
Are any of you folks big Beatles fans? There is no end to the alt version working version outtake versions of Beatles stuff. This Abba thing is a drop in the bucket compared to the endless vault of Beatles rejects...
I've been to Beatles forums and the collectors there are mad for all of it. I'm not putting anyone down for pursuing all this, if it makes you happy, then go for it. Me? Nope, but different things make different people happy.
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Post by josef on Apr 14, 2017 13:31:10 GMT
I'll say one thing about the book- I like the cover!
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Post by gary on Apr 14, 2017 21:13:40 GMT
^
It is rather pretty!
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Post by WATERLOO on Apr 15, 2017 8:36:25 GMT
More spoilers:
The different versions of LAAPTMR are not in the chronologically correct order in the medley. The disco version was the second to last attempt of recording the song and actually had Agnetha on lead vocals. The "ethos of a voice I knew" line is sung by her and not by Frida. Although I could swear I can hear Frida singing that part in the medley.
The two first versions of Just Like That don't exist in the archives, only the final mix with the saxophone.
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Post by Alan on Apr 15, 2017 10:00:03 GMT
^^ Does that mean the earlier two versions of JLT have been junked? If so, I wonder what else has been wiped?
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Post by WATERLOO on Apr 15, 2017 13:28:44 GMT
CMP says they most likely were mixed directly to tape and these tapes were stolen from Björn. Many mixes we know are not in the studio. The original Multitracks are there, however. So one could try to recreate these mixes although they'd never sound the same again.
The English vocals for IHAD are gone forever, though. They were erased from the master tapes when the Spanish vocals were recorded.
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Post by Fafner on Apr 15, 2017 14:30:01 GMT
CMP says they most likely were mixed directly to tape and these tapes were stolen from Björn. Many mixes we know are not in the studio. The original Multitracks are there, however. So one could try to recreate these mixes although they'd never sound the same again. The English vocals for IHAD are gone forever, though. They were erased from the master tapes when the Spanish vocals were recorded. This surely explains why, when Diego posted those odd mixes on the old forum, they had the Spanish version of IHAD and not the English one. Perhaps for the same reason he posted Slipping Through My Fingers in Spanish as well, since the English vocals were also erased during the recording (and we already know that the mastertapes of ABBA the album were lost, which is why Diego had Lena Andersson's version of SOS, though it doesn't explain where did the extended version of I do I do came from).
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Post by Alan on Apr 15, 2017 16:27:11 GMT
There are master tapes and mixdown tapes though. For the ones where the master tapes are lost, there would still be the mixdown tapes, surely?
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Post by Fafner on Apr 15, 2017 16:53:37 GMT
There are master tapes and mixdown tapes though. For the ones where the master tapes are lost, there would still be the mixdown tapes, surely? oops sorry, I made a mistake, I meant the multi-tracks not the mastertapes (if this is what you meant by "mixdown tapes"). And now that I think about this, I seem to remember in the case of Abba the album, what was lost were not the multitracks but the mastertapes.
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