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Post by Deleted on Mar 9, 2023 10:14:50 GMT
⬆️ Female singers of 70s/80s/90s
Glaring omission: Karen Carpenter.
Also no Dionne Warwick, Barbra Striesand,Olivia Newton Johm, Roberta Flack, Joan Armatrading, Gladys Knight
Yet included are Kim Wilde, Heather Small and Bananarama...ffs!
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Post by richard on Mar 9, 2023 14:40:46 GMT
Such lists are mostly a source of irritation or indifference for me because I rarely share the preferences and prejudices of the compiler! And I also think it often reveals the age and/or ignorance of the compiler. Whitney Houston wouldn't be on my list, for example - but that's just my prejudice.
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Post by chron on Mar 9, 2023 15:27:27 GMT
⬆️ Female singers of 70s/80s/90s Glaring omission: Karen Carpenter. Also no Dionne Warwick, Barbra Striesand,Olivia Newton Johm, Roberta Flack, Joan Armatrading, Gladys Knight Yet included are Kim Wilde, Heather Small and Bananarama...ffs! Excluding Karen Carpenter should be a chargeable offence! Also: no Joni Mitchell, no Sandy Denny, no Cass Elliot, no Dusty Springfield, no Minnie Riperton, no Elizabeth Fraser, no Annie Haslam, no K.D. Lang. Far too many over-emoting belt-'em-outs, who've had neither the nous nor the modesty to rein back and simply serve the song, along with too many whose voices do a fine and solid job in context but which are ultimately thin, limited and lacking in presence (Kim Wilde, Debbie Harry, the Bananaramas). (Kate Bush is a superbly creative artist, but that's in spite of her voice - as shrill as a car alarm when it's not sounding cloyingly coquettish - not because of it. It's depressing how often she gets lauded on the basis of that frighten-the-horses yowl.) Outside of her Sugarcubes stuff I'm no great fan of Björk, but she surely deserves a place here more than Kim Wilde or Justine bloody Frischmann. This list actually mostly better functions as a who's who of who should be barred from gaining entry to a Top Thirty like this.
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Post by Deleted on Mar 9, 2023 15:44:29 GMT
Don't forget this was 70s 80s 90s so would really exclude Dusty Springfield and Cass Eliot. Some very odd choices on the list. Kinda agree that Kate Bush is overrated.
I like Mariah's Christmas song but generally don't like her songs or Whitney's. Vocal gymnastics might be impressive to do but not nice to listen to.
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Post by chron on Mar 9, 2023 17:32:32 GMT
Don't forget this was 70s 80s 90s so would really exclude Dusty Springfield and Cass Eliot. I'd considered that, but their work stretched into the '70s, and beyond in the case of Dusty, so their presence would've pervaded. Janis Joplin I'd discounted because she barely made it to 1970—Pearl was released at the start of '71 (and besides, she's another raucous bellower). Anyway, they cover their arses by calling it 30 of the Greatest, not The 30 Greatest. And anyway, anyway, I really shouldn't care.
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Post by Deleted on Mar 9, 2023 17:47:31 GMT
I can't say I'm famiiar with Cass Eliot's post Mama and Papa's career.
Yes Dusty did record for a long time but really all her really great stuff was in the 60s. From the 60s also Sandie Shaw and Petula Clark. But they weren't in the same category as Dusty.
If we were to include All Time up to the present I would not have Adele very high on my list - overrated. Celine Dion wouldn't make my list at all.
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Post by HOMETIME on Mar 9, 2023 19:15:10 GMT
I have to disagree Johnny. I think the songs that Frida got are a bit meh. The Agnetha leads are getting far more streams. Her storytelling is out of this world. All a matter of subjective opinion, I reckon, Henry. ISHFIY and NDAI are both peaches, as far as I'm concerned. And the vocal performances are outstanding. ISHFIY is one of Frida's most emotional and intelligent performances; NDAI is a vocal tour de force, belying Frida's age. Equally, I rate DSMD and ICBTW and Agnetha's vocals on both. Her performance takes you past the some of the insanity of the DSMD lyric (so too does that brilliant chorus). And she brings a warmth and humanity to the minutely scripted ICBTW. Bjorn's detailed scene-setting lyrics really lend themselves to Agnetha's story-telling style and tendency to act what she's singing. In all, I think both women have actually elevated the material. But if someone tends to favour one singer over the other, then I guess that's going to colour the opinion.
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Post by HOMETIME on Mar 9, 2023 19:22:41 GMT
I'd echo many of the points already made. These lists are so subjective, so arbitrary - and ten-a-penny at that. Personally, I'd have included Alison Moyet and Kiki Dee, for their versatility, soulfulness and their tendency to put the song first. I also think that Sandy Shaw did her best work in the 1980s. Dusty's comeback in the late 80s/early 90s might not have been a patch on her 60s output, but it was still classy and the gal still had the pipes and expressiveness. And ONJ was another who could turn her hand to almost any genre.
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Post by lamont on Mar 9, 2023 19:33:44 GMT
I have to disagree Johnny. I think the songs that Frida got are a bit meh. The Agnetha leads are getting far more streams. Her storytelling is out of this world. All a matter of subjective opinion, I reckon, Henry. ISHFIY and NDAI are both peaches, as far as I'm concerned. And the vocal performances are outstanding. ISHFIY is one of Frida's most emotional and intelligent performances; NDAI is a vocal tour de force, belying Frida's age. Equally, I rate DSMD and ICBTW and Agnetha's vocals on both. Her performance takes you past the some of the insanity of the DSMD lyric (so too does that brilliant chorus). And she brings a warmth and humanity to the minutely scripted ICBTW. Bjorn's detailed scene-setting lyrics really lend themselves to Agnetha's story-telling style and tendency to act what she's singing. In all, I think both women have actually elevated the material. But if someone tends to one singer over the other, then I guess that's going to colour the opinion. I totally agree, ICBTW is as poignant and emotional as TWTIA in my eyes, don’t know if it’s because it touches very close to my family. As soon as I heard it, it floored me. DSMD is just wonderful. Frida’s vocals are as close to perfection as you can get in her songs too.
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Post by Deleted on Mar 10, 2023 8:58:31 GMT
I guess the melody dictates the lyrics which determine the lead singer.
If the music is meandering that could invite storytelling/all the detail lyrics. This puts Agnetha as the lead.
Personally I feel Agnetha's best performance on Voyage was the brilliant chorus of Don't Shut Me Down. She hasn't the higher pitch range as before but it's the melody which determines the catchiness. I wish there were a few more moments like that on Voyage - highlighting Agnetha the pop singer rather than Agnetha the theatrical singer.
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Post by AdamDawson2003 on Mar 10, 2023 13:15:33 GMT
'When You Danced With Me', 'I Can Be That Woman', 'Just A Notion', 'Don't Shut Me Down', 'Keep An Eye On Dan' & 'Bumblebee' are my favourite songs from the voyage album I love all the songs on it but 'Ode To Freedom' really needs to grow on me, I really like 'Little Things', No Doubt About It' & 'I Still Have Faith In You'.
I still am gobsmacked that 'When You Danced With Me' wasn't released as a single its literally screaming out to be a single its such a fantastic song and classic ABBA it was the one song I wanted to hear when the tracklist was released I think it would have been a better choice than 'No Doubt About It' which is an excellent song.
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Post by Henry on Mar 10, 2023 13:33:40 GMT
Their voices don't blend in a beautiful way on When you danced. Personally I don't like NDAI at all. I don't like the song itself and the streams show this. In fact: besides the first the first 2 singles I don't really like any of the tracks. I can enjoy ICBTW because of Agnetha's lead but that's about it. It's so dated already. A shame really but what can you expect.
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Post by Alan on Mar 10, 2023 15:01:29 GMT
I wonder if he's stolen a march on CMP's forthcoming book. Apparently, it has a Complete Recording Sessions type chapter devoted to Voyage. Interesting that the published photos have such detailed metadata. Sleuthing gets a bit easier! Now if only he could dig up some detail on the unreleased material. I’m a bit late to this but finally watched it. Whilst it doesn’t actually confirm what was recorded when (aside from what we knew already), the dates of the photos are interesting. All of the official photos were done before Covid, with just some studio shots done later. Aside from the snow one which we knew was from January 2019, I assumed some of the others were more recent. Also of interest is the apparent confirmation that the motion capture stuff was done in early 2020, immediately before Covid. Had they not been scheduled to do it then, and Covid hit, I wonder how it might have delayed the show even further? I must have missed or forgotten about the interview with Benny in December 2018 where he stated that more work was required (including vocals) on the first two songs. This is an important point as it meant they had to return to the studio in 2019, but I still surmise that the decision to record more - even a full album - was already taken. There are a few gaps in his research. He doesn’t mention the two incomplete tracks. I think someone confirmed or said that one of those was in the 2019 batch. Also, whilst the single sleeve notes for Just A Notion stated the new parts recorded 2017-2021, the album notes gave 2021 alone. He’s missed that. CMP has managed to make a living out of ABBA, and good luck to him on that, but a lot of the info is already out there. CMP may well have access to inside information that will fill the gaps, but I’m not sure there are many surprises in store.
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Post by Deleted on Mar 10, 2023 15:34:01 GMT
'I still am gobsmacked that 'When You Danced With Me' wasn't released as a single its literally screaming out to be a single its such a fantastic song and classic ABBA it was the one song I wanted to hear when the tracklist was released I think it would have been a better choice than 'No Doubt About It' which is an excellent song. AdamDawson2003 - I wrote about the singles on page 10 of this thread. Quick summary. In UK WYDWM 'sold' (streams) in week Voyage was released almost as much as JAN did in its opening week. This despite JAN having advantages of a) being released before Voyage b) having a CD If WYDWM was released instead of JAN it certainly would have charted higher than JAN. In Sweden it was Top 10 whereas JAN missing the Top 20. I also think a 5th single and radio only single was a single too far. By that time it wouldn't have made a difference if it was NDAI, WYDWM or KAEOD.
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Post by Alan on Mar 10, 2023 16:12:57 GMT
If WYDWM was released instead of JAN it certainly would have charted higher than JAN. There is another way of looking at this though. Only three songs from an album are allowed to chart. As the first two singles were already out there, and one of them being the first track on the album, When You Danced With Me may simply have benefitted from the advantage of being the second track on the album (and first new one). You could surmise that this got more streams because enough people heard it, but some didn’t like it and decided not to listen to anymore! Also how much of a track has to be heard before it counts as a stream? Is it possible enough people heard what is required and then turned off? Could this song actually have put some off from the rest of the album?
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Post by Deleted on Mar 10, 2023 16:14:09 GMT
Alan, I reckon too they decided to record a full album early on too. My thoughts on the album..
1. They decision to release an album was inrvitable after they decided to record 2 new songs. Just releasing those singles would have got a lot of interest for a week or two - like they did, but generated sales like an album.
Just releasing those 2 songs would have been a bit like 1982 with The Day Before You Came and Under Attack. There would be no compilation to tag them on to. We already have Gold. Yet another Definitive Collection?
Once they added a few more songs in 2019 it really would have been even more like 1982. Those songs never found home on a studio album and it was all very unsatisfactory. An EP is neither one thing or the other. So a full album it was.
2. ABBA were struggling with a new full album. The common consensus is the first two songs are the best. Personally I feel the more they went on the more desperate they got. Reviving Just a Notion was an act if desperation and spun to make it sound it gave a flavour of the concert. Original vocals, new backing track and rock bottom was reached with Little Things. Perhaps the SOS flourish at the end of Keep an Eye on Dan was a subconscious reminder of easier recording days.
3. The two unrecorded songs. I said before they were "not good enough" to make the album. Tbis got lots of rebuttals (as some of my comments do 😀). Perhaps the SONGS may be ok...and Benny said "quite good". But the RECORDINGS clearly not up to scratch otherwise they would have made it onto Voyage.
Other opinions are available. 😘
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Post by Deleted on Mar 10, 2023 16:19:38 GMT
Yes Alan you could interpret WYDWM bwnefitting from being track 2. But it got so many streams compared to the new Voyage songs then if you're right a lot of people listened to at least 30 seconds and not to the rest of the album.
Or it could be that it was a catchy song more in the ABBA mould. Its briefness led to multiple plays.
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Post by Alan on Mar 10, 2023 16:21:25 GMT
We need one or both of the unreleased songs to leak really. But not in great sound quality. There will almost certainly be enough fans to proclaim them the best ABBA songs ever and spend the next 40 years (or whatever life they’ve got left) calling for them to be released officially.
But “quite good” from Benny is still much better than “we didn’t like it”. I’d say it’s more likely we’ll get one or both of the unfinished songs than Just Like That. But “more likely” when it’s ABBA doesn’t mean much.
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Post by Deleted on Mar 10, 2023 16:28:26 GMT
It really is like Just Like That. The way some fans go on about it, you'd think it was up there with Dancing Queen or SOS. Quite nice but nothing too special. I don't know Benny even mentioned them. It appears he likes to stir things up.
If we ever do get one or both released they would be on a Rarities album. Certainly I don't believe they got back into the recording studio and finished them off.
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Post by Alan on Mar 10, 2023 17:16:43 GMT
In my ideal scenario, the two incomplete tracks would have been finished, and included on the album in place of Little Things and Just A Notion.
Little Things would have been single-only. No mention of it in interviews. Announced on the same day in December 2021 as the snow photo was unveiled, and released that week as a completely unexpected surprise. It would not have made much - if any - difference to its chart position or radio airplay, but would have been a nice post-album release. That way, even if I still didn’t think much of it, I could accept it better. As it stands, I really resent a Christmas song being on a studio album (and whatever anyone says, Happy New Year is NOT the same thing - it’s not Christmas).
Just A Notion, I’m not sure what I’d have done with. Perhaps kept it until the 50th anniversary in 2024. Still as a single, still with a new backing track, just not on the album proper. Then, later in 2024, add both Just A Notion and Little Things as bonus tracks to Voyage (but making it clear that they are bonus tracks and not part of the core album).
With Just A Notion, there’s still a sense that they cheated a bit. It’s not a fully new album, and it wasn’t good enough for Voulez-Vous. Even as part of ABBA Undeleted, I never saw it as a highlight. There’s much better stuff in that medley.
Even if the two incomplete songs really aren’t that good, they have some advantage in that there is (presumably) no Christmas theme and they’re not old songs that have been dug up and dusted down. They might well be the two worst tracks on my ideal album, but I’d still be prepared to trade in JAN and LT for them (even if we’d still get both of those in my scenario).
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Post by HOMETIME on Mar 10, 2023 18:11:52 GMT
I really like that scenario, Alan. I have a hunch that there was pressure to launch the show when they did and that announcing the album at the same time was a means of heightening the fever. If they had been allowed to continue in secrecy, would they have gotten the two unfinished songs across the line? The revamped JAN could have been a highlight on an anthology or even a great bonus track on a new compilation.
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Post by Deleted on Mar 10, 2023 18:13:33 GMT
I agree with the broad thrust of that, Alan. A couple of quibbles.
1. If LT was a standalone single I think it really would have charted higher - but perhaps not that great.
2. Happy New Year is not a Christmas song, true. But it is clearly a festive song around the new year. It has a resolution feel. A "New Begining" for sure, but linked to that time of the year.
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Post by HOMETIME on Mar 10, 2023 18:24:41 GMT
I think if LT was a standalone single, they might have been more likely to go the whole hog with a physical release - i.e. CD and vinyl. That would certainly have enhanced its chart potential. Imagine if it ended up charting higher than the Voyage singles!
I still think that, at some point in the future (when Voyage has recouped its costs, maybe) that Happy New Year might get added to the show. I think it could benefit from a more organic "live" sound. Maybe even replace the third "1989" verse with an instrumental solo? Anyhoo, whack that and LT on opposite sides of the same vinyl single, and I reckon you have a perfect stocking filler every year. Surely the current vinyl editions of HNY deserve a dignified end...
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Post by Alan on Mar 10, 2023 18:30:33 GMT
2. Happy New Year is not a Christmas song, true. But it is clearly a festive song around the new year. It has a resolution feel. A "New Begining" for sure, but linked to that time of the year. For me they differ greatly. Christmas is this surreal time of the year when everyone is supposed to be “merry” and, if nothing else, it’s a break from work. New Year is the end of the holiday. Looking ahead, yes, but actually just about to go back to work and it being the darkest, coldest period of the year. The “warm” feeling of Christmas is over. I don’t feel much at all about new year, hence why Happy New Year for me is nothing like Little Things (or any Christmas song).
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Post by Alan on Mar 10, 2023 20:00:48 GMT
Anyhoo, whack that and LT on opposite sides of the same vinyl single, and I reckon you have a perfect stocking filler every year. Surely the current vinyl editions of HNY deserve a dignified end... End? You’re optimistic aren’t you? 😀 I’d like to think that there are some restrictions on what Polar/Universal can do with Voyage. The rights to it are owned by ABBA via their company 1221 AB. Unlike Happy New Year, use of Little Things or any Voyage track would have to be approved by ABBA. Voyage was included in the CD and vinyl box sets last year but perhaps the licensing agreement doesn’t extend to endless coloured vinyls of the same song. I wonder if ABBA have any regrets about not having much say in how their 1972-82 output is used? They once each owned a 12.5% stake in Polar but sold up in the 1980s, allowing Stig to sell the entire company (and with it, all of ABBA’s work) to PolyGram.
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Post by Deleted on Mar 10, 2023 20:43:37 GMT
Does Bobby's Brother read this site?
New video talks about 2 unfinished songs and speculates about Anthology album.
Voyage chronology revised with NDAI moved to 2021 and possibly OTF started in 2019 but finished in 2021.
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Post by Alan on Mar 10, 2023 22:31:17 GMT
Voyage chronology revised with NDAI moved to 2021 and possibly OTF started in 2019 but finished in 2021. That’s definitely more in line with what my thinking was. So CMP appears to be barred from talking about the two incomplete tracks. I still have to question why Benny even admitted to them, he could have just said they only recorded the ten on the album. Instead he’d dangled the carrot but made sure it’s no where near in reach for anyone to grab. I was a little bit surprised (and a tad disappointed) that he wasn’t aware of the fan club confirmation about I Can Be That Woman and Bumblebee being from January 2019. He got it right anyway, and I assumed from the first video that he was aware, but this second video confirms otherwise. That’s fairly basic research.
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Post by evilincarnate on Mar 11, 2023 5:31:03 GMT
That’s definitely more in line with what my thinking was. So CMP appears to be barred from talking about the two incomplete tracks. I still have to question why Benny even admitted to them, he could have just said they only recorded the ten on the album. Instead he’d dangled the carrot but made sure it’s no where near in reach for anyone to grab. I'm pretty certain that Bernard Löhr, who engineered and mixed 'Voyage', mentioned in an interview prior to the album's release (around October 2021) they had recorded additional songs that didn't make the final cut, as well as alternate versions of certain album tracks - e.g. "Ode To Freedom". I was surprised that Benny confirmed the two unfinished tracks but as others have commented, he didn't criticise them as being inferior or unworthy of album inclusion, but rather, mentioned they were actually quite good and just needed more work. Whether that was a secret nod to future releases or not, we simply don't know (as yet). I know this seems difficult to acknowledge given the four-year gestation period of 'Voyage', from the initial recordings in June 2017 to the final mix in October 2021, but I think they simply ran out of time with a final, inescapable release date (early November 2021). (That's not even taking into consideration the time taken to write both "I Still Have Faith In You" and "Don't Shut Me Down", which may have been weeks or months.) I do believe the initial idea was simply to issue two new songs that promoted the Voyage show and this quickly morphed into an album concept but there were all manner of delays, principally producing the show and inherent Covid-related interruptions, that possibly made four years seem closer to four months from Benny's perspective. I think if there had been another six months at the group's disposal, those two unfinished tracks would have been completed and possibly included on 'Voyage'. I also believe "Little Things" would have still made the cut, simply because they all seem to love it. I think the dark horse would have been "Just A Notion", which really does stick out like a sore thumb for me - not just because it was a forty-year-old outtake but because new vocals weren't recorded. I will never understand this choice and tend to think they either thought the ladies couldn't hit the notes or once again, time was running out. However, the recording timeline of 2017 to 2021 would suggest otherwise and that they decided early on it was a contender.
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Post by Deleted on Mar 11, 2023 6:24:41 GMT
The recording timeline 2017-21 was for the Voyage album not JAN specifically. Only ISHFIY and DSMD were recorded as early as 2017.
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Post by Alan on Mar 11, 2023 9:45:49 GMT
Yes, and the album notes state Just A Notion as being recorded 1978 and 2021. Only the JAN single notes state 2017 to 2021, which I take to be incorrect.
I think we can surmise that more work went into I Still Have Faith In You and Don’t Shut Me Down than we might have thought. They wouldn’t have time to do as much work on the other songs, and as they wouldn’t be part of the show and wouldn’t be the first singles, they were seen as less important.
If one of the the incomplete songs was from 2019, it would suggest it wasn’t considered good enough or wasn’t worth the amount of work needed.
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