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Post by gamleman on Aug 25, 2022 16:04:12 GMT
If promoting an album isn't for financial gain, what is it for? I would put that interpretation on LT, as it's out of place on a studio album but was undoubtedly included and released as a single to boost the album's sales during the lucrative build-up to Christmas.
I like JAN and think it deserves a place on the album. I imagine it was chosen as a single as a more traditional ABBA track after ISHFIY and DSMD, although the latter is arguably traditional ABBA too. Of the other tracks, WYDWM was an obvious choice of single but it appears to be going the same way as IIWFTN, although the latter really was a missed opportunity to have a No 1 single in 1979.
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Post by justabba on Aug 25, 2022 16:23:48 GMT
I concur with many of the comments over the last 24 hours and whilst I'm fond of both Little Things and Just A Notion, perhaps they should have been relegated to a Christmas single and the two outtakes could have been included instead? I imagine time constraints factored in the final decision but I'm still thrilled with the album as a whole. I said exactly the same thing the other day!
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Post by gamleman on Aug 25, 2022 17:05:47 GMT
I'm sure most (perhaps all) artists do release albums for creative rewards as well as financial rewards. This is definitely true of ABBA and I think they made this album partly due to the enjoyment that being back in the studio brought. But I dare say there was pressure from the record company and/or Voyage show people to record new material too, and the motivation for that would be financial.
I have got nothing against LT as a creative endeavour in its own right but creatively it actually spoils the album for me (as a Christmas song). It is easy to skip on digital media but not so easy to dismiss on vinyl.
I don't see the similarity with "Intermezzo No 1" and "Arrival", which are perfectly valid tracks for a studio album, although I'm not an enormous fan of the "Arrival" track. "Happy New Year" is the closest other example but I don't have a problem with it because a) it is such a great song, and b) it isn't really seasonal-sounding in its production.
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Post by lamont on Aug 25, 2022 19:04:20 GMT
I think part of the fun is making up wee playlists, used to love doing that on cassettes or later CD’s where there was a time limit and you had to fit so many songs in a time frame. I also quite enjoy rearranging the ABBA albums like putting Summer Night City on the opening of Voulez Vous (the long version.) then adding the extended title track, and maybe adding Chiquitita and I Have A Dream on at the end to not break the flow of Dancing. Voyage is pretty much perfect for me, though it’s nice to hear some positive musical criticism like not having the choir on Little Things, some of mine would be to have ABBA’s Voulez Vous be more like Erasure’s and having one lead in the verses, and trying Frida on singing lead on Head Over Heels. All part of the fun.
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Post by gamleman on Aug 25, 2022 19:08:53 GMT
I would say both. From ABBA's point-of-view, I'm sure that it was creativity and legacy that motivated them towards the Voyage show. However, I doubt that these were the motivations of the people who dreamt up and developed the project (although the originator of the idea, Simon Fuller, is no longer involved). Their motivations would be the money and the technology. In fact, the cutting-edge aspect of the project was probably a motivation for ABBA too. Yes, ABBA have more than enough money to live very happily, although B&B seemed to relish the promotion of the show and album and the accessories, such as LT knitwear - those knitting videos were the best thing to come from the release of the LT single
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Post by richard on Aug 25, 2022 20:41:38 GMT
I don't think the idea of 'legacy' means much to me as a listener, though I can see that it might matter more to musicians, driving them on to write and record what they regard as quality material. But of course it's out of their hands how listeners will regard their music - now, and in the future when we're gone. If their legacy really matters to ABBA, they might have overcome 'difficulties and awkwardnesses' when they were 20 years younger. (Yes, I know, easy for me to say - and in hindsight!) They could have had a few more albums to contribute to their legacy perhaps in a more impressive way than the Voyage album does. I'm still glad that Voyage happened, though.
Either that, or leaving things be and letting Gold be their legacy, as seemed to be the case for so long.
So maybe making (more) money was the key stimulus for the Voyage project after all. And that doesn't bother me.
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Post by Deleted on Aug 26, 2022 5:51:51 GMT
I think the first two Voyage songs ISHFIY and DSMD were inspired by the idea of a return. Those songs were creatively very good. Production wise to can hear Frida on DSMD and Agnetha on ISHFIY - later tracks wouldn't be so clear - or good.
I am sure there was pressure from Universal to put out an album. Releasing those two songs would have generated a huge amount of interest but little in terms of sales or chart longevity. They needed an album for that.
Getting another 8 or more songs for an album was probably harder than writing and recording the original two. JAN was a throwback to a discarded song. LT an attempt at a Christmas song (and I agree it doesn't fit on a studio album). KAEOD even references SOS. Were ABBA running out of ideas for Voyage? The two unreleased tracka clearly not deemed good enough for the album.
It seems highly unlikely we will get another new album. What would the inspirstion be? They have left it too late forba revived career. Voyage was a one-off.
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Post by richard on Aug 26, 2022 10:27:23 GMT
[...] It seems highly unlikely we will get another new album. What would the inspirstion be? They have left it too late forba revived career. Voyage was a one-off. The 50th Anniversary of their Waterloo success? One final great album to close their recording career - if they wanted that and felt capable of doing it. But I don't think it'll happen, either
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Post by HOMETIME on Aug 26, 2022 10:48:36 GMT
Interesting points. I've listened back to the older stuff a bit more recently and I noticed something I hadn't paid attention to before. Maybe it's just my ears, but it seems that where there is a female lead vocal, the other singer is often a bit more prominent in the chorus. I think Chiquitita, MMM, Lovers, DSMD and ISHFIY are reasonable examples. It seems to be key to the ABBA vocal sound and certainly reinforces that ABBA is a group and not just some lead vocalists jockeying for position. I'd love to have been a fly on the wall at the point where they - Benny, principally - thought about turning two tracks into an album. I can certainly see how hearing the final mixes of ISHFIY and DSMD would have given them a rush. You could be right about Universal being pushy, johnny , but I can't imagine a situation where ABBA would be susceptible to that. Unless Universal are investors in the Voyage stage show project? That might give them enough power. Even so, a group that previously turned down $1bn doesn't sound like one who'd be hooshed into the studio by some corporate Aunt Lydia. I wouldn't be surprised to learn that there were moments where they individually groaned and wondered why they had agreed to this. Recording an album is hard work at the best of times, but when you're quite a bit older and, to quote Agnetha, dealing with "our minor ailments" it must be harder still. Universal were surely aware of the album and if they pushed anything, it might have been completing the album to coincide with the launch of the live project. That could see them scrabbling around the mixing desk in August 2021, with a set they could stand over - albeit one that might have been different if they'd had the time to finish the last two songs. For instance, isn't there artwork for DSMD that lists JAN as a B-side? Imagine if release of the first two singles had been staggered and the album had come out closer to May? That sounds more like a label strategy to me. The matter of JAN still kind of baffles me. I have a feeling that Benny had the song up on bricks for a while, with a view to recycling it for a BAO album. I still don't understand why they didn't record it from scratch. It's a group vocal for the most part, and that would allow everyone to support each other. And, to my ears, the vocal mix in the verses is a bit messy. The guys' voices undermine things a bit, IMO. As much as I'd love another album, I don't see it happening. 2024 will be a big deal. They'll celebrate 50 years (I know, I know - that should have happened this year), Gold will be boosted no matter what, so will the Voyage show. I'm willing to bet a pound of jelly babies that there'll be a new compilation for that moment too.
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Post by gamleman on Aug 26, 2022 10:56:14 GMT
Johnny, I think the reference to SOS on KAEOD was intentional, possibly for Benny's amusement, rather than because they were running out of ideas. I believe there are other references/acknowledgments to others on the album - we know that ICBTW is a tribute to Tammy Wynette, but there is also a Roxette moment in the instrumentation. I don't ask for another studio album for their 50th Eurovision anniversary but I beg for a new single to round things off. There is one sure way of going out with a bang... Just Like That
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Post by HOMETIME on Aug 26, 2022 11:05:44 GMT
I don't mind the references and throwback ideas for a live setting but I wish they'd kept them off the album. The ones I can see are SOS on KAEOD, Fernando on Bumblebee, IHAD on Little Things. There may be more that are less obvious. But I wish they had just dumped the idea after chuckling about it over coffee.
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Post by Henry on Aug 26, 2022 11:41:29 GMT
I agree Tony. It should have been a step forward instead. They will leave it at this I think. The album didn't sell when the show began to run. The main audience want the big hits. Voyage the album is dead for the mailn audience except for the fans.
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Post by richard on Aug 26, 2022 12:34:25 GMT
Interesting points. I've listened back to the older stuff a bit more recently and I noticed something I hadn't paid attention to before. Maybe it's just my ears, but it seems that where there is a female lead vocal, the other singer is often a bit more prominent in the chorus. I think Chiquitita, MMM, Lovers, DSMD and ISHFIY are reasonable examples. It seems to be key to the ABBA vocal sound and certainly reinforces that ABBA is a group and not just some lead vocalists jockeying for position. [....] It surely isn't just your ears, Tony, because I agree. Apart from one or two exceptions I think B&B were careful a lot of the time to ensure that one of the girls didn't feel completely sidelined on a track. I'd also mention SOS: ostensibly an Agnetha lead, but the "Now you're gone..." section sounds like it's Frida double-tracked to me. And I reckon that kind of 'vocal disttibution' is characteristic of ABBA. A few have mentioned that that they feel Frida is more vocally to the fore on the Voyage album, and that it's because the women's lower tones favour Frida. But even on recordings from the '70s, in the mid-range, I sometimes get the probably mistaken impression that it's Frida double-tracked and not Agnetha singing alongside. And similarly, higher up, Agnetha is dominant, even though, no doubt, Frida was often belting it out up there too.
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Post by justabba on Aug 26, 2022 16:37:20 GMT
Apparently bumblebee and I can be that woman were recorded in 2919, but I have no hard proof on this.
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Post by Alan on Aug 26, 2022 18:26:01 GMT
Apparently bumblebee and I can be that woman were recorded in 2919, but I have no hard proof on this. Görel Hanser confirmed it in the fan club magazine apparently. The snow photo was taken in January 2019 when they were recording those two songs.
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Post by Alan on Aug 26, 2022 20:52:41 GMT
A year ago today we were greeted with this. A year of ABBA Voyage, even if at that point we didn’t quite know what it was.
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Post by bennybjorn on Aug 26, 2022 21:53:08 GMT
Voyage flies above Gold in this week's physical albums chart. The Voyage concert clearly working its magic!
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Post by joseph on Aug 26, 2022 22:14:36 GMT
I never normally bother Googling things like that but I took a peek and sure enough there it is above GOLD. Good stuff. How many actual albums that equates to I have no clue.
No doubt someone will spin this into something negative. But to my mind the fact Voyage is even IN the charts after a year is incredible when you think how many DON'T even get in the top 100.
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Post by Alan on Aug 26, 2022 22:20:40 GMT
Voyage flies above Gold in this week's physical albums chart. The Voyage concert clearly working its magic! Translated into reality/non-delusion, Gold is number 12 in this week’s album chart, whereas Voyage hasn’t been in the top 100 since 16 June. Sorry.
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Post by foreverfan on Aug 27, 2022 8:31:52 GMT
The UK charts and guessing most other world charts are made up of streaming as we know, and alas for statistical reasons only, here in the UK only the top 100 counts !! These other charts as interesting as they are and each to their own are pretty meaningless in the “ official “ standings. It’s only a guess of course but I’d imagine that Voyage sells less than 500 copies per week, it’s needs very little to chart in a Physical chart, Gold sells on average 4000 equivalent sales per week, in fact week in week out, again I’m guessing but I’d say they equal themselves out monetary wise, for ABBA, but only Gold will have the stats against it.. If your into stats and the like.
I remember HNY ( I think ) making number 1 on the physical singles chart ... it really didn’t sell that many, a couple of 1000 at most... so it’s what you wish to look at that makes it good for you, but alas as stated it’s only the Official top 100 here in the UK that counts.......
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Post by Alan on Aug 27, 2022 9:02:30 GMT
There’s a lot of distortion in the physical charts too though. Voyage was released in so many different variants. The show edition vinyl is apparently available at the ABBA Arena now, so I would hazard a guess that these are being bought up to then sell on eBay. It could well be this version alone that’s helping it to do well on the physical chart. You may not like streaming, but chart manipulation is rife in the physical market.
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Post by HOMETIME on Aug 27, 2022 10:59:06 GMT
There’s a lot of distortion in the physical charts too though. Voyage was released in so many different variants. The show edition vinyl is apparently available at the ABBA Arena now, so I would hazard a guess that these are being bought up to then sell on eBay. It could well be this version alone that’s helping it to do well on the physical chart. You may not like streaming, but chart manipulation is rife in the physical market. Indeed. Neither ABBA nor Universal would be in a position to bemoan chart manipulation, having released Voyage in around 25 different formats. All that aside, if the show edition of the LP is keeping the album in the (physical) charts, it makes sense to sell Voyage in other formats in the gift shop. CDs and cassettes would seem especially portable items for your standard concert-goer. Maybe the CD edition of the albums box set would entice some punters, high on the show, as they leave the venue.
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Post by undertheappletree on Aug 27, 2022 11:38:02 GMT
Well if you are a Scottish Abba follower, then you maybe be interested to know that the Voyage' Album has notched up 41 weeks on their Official Sales Chart Top 100, up from 50 to 34, this week.
I think that deserves the Song Super Trouper' to be added to the Voyage' set list, for those loyal Troopers.
My take on how we got the Voyage' Album, was that all four agreed to get back together to record Abba Music, which was amazing in its self, with no pressure, and to use Voyage' Show has a pretext/motivation. I am sure when they entered the Studio they had considered doing more songs for an album but kept it to themselves and found the creativity and Chemistry was there, so it happened. Will they record a New ABBA Album in 2024? Yes!
With some of Benny's solo instrumentals, Abba covers of songs from Chess, Kristina' and Gemini and JN!
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Post by Deleted on Aug 27, 2022 13:29:48 GMT
Most of you are right on key points you raise.
ForeverFan has got his numbers right about sales of Voyage these days (500 seems a good estimate) and that Gold "sells" 4,000 a week albeit mainly Streaming these days.
I think BennyBjorn is getting to excited by the very similar Physical (and Sales) chart positions of Gold and Voyage this week. 500 actual sales a week is to my mind more impressive for an album that has been around 30 years and sold 6 million (Uk) than one that hae been around less than a year with 450k sales in in UK.
Alan and Hometime are right to point out the many versions of Voyage available and how this is sales manipulation.
I feel these though were only important in Week 1. That week Voyage sold 200k (UK). Almost all actual sales not streaming. The Vinyl editions collectively sold about 30k (so a small part, but not insignificant of the overall sales). Sales dropped off significantly and in Vinyl Chart Voyage crashed to #10 (or thereabouts in week 2)
The Charts are about Popularity. As most people don't buy physical copies ( yes new albums by Abba and Adele) but generally don't then you have to factor other aspects to guage popularity.
The issue with Streaming is that it includes songs on Providers' Playlists (this makes it no different from Radio airplay). Actually the difference is generational. Older listen to radio more, younger to Provider's Streaming (and you only need to listen to 30 seconds for chart purposes)
The issue I have with Streaming is all this "sales equivalent" talk. They are not sales and not equivalent. Yes, use streaming in charts but don't pretend they are sales.
The point was raised about value/profits. Clearly physical sales have an advantage over streaming. And this year vinyl revenue expected to exceed CD revenue - despite being far behind in sales as vinyl albums are way more expensive than cds. Artists have to make the bulk of their money though touring (expensive tickets) as sales are down and they get a bad deal on Streaming.
Lykca is also right to point out the Official Charts are recognised. Sales/Physical charts are of interest to him and me - but remember if streaming didn't exist people may buy more and ABBA may not do so well in Physical charts for a prolonged period of time.
Undertheappletree - well it took ABBA a long time from recording those first 2 Voyage songs to deciding more, then deciding a whole album. I disagree with you on this. I don't expect a new album next year, the year after or ever.
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Post by Alan on Aug 27, 2022 18:33:37 GMT
Alan and Hometime are right to point out the many versions of Voyage available and how this is sales manipulation. I feel these though were only important in Week 1. I was referring specifically to the show version (solid orange vinyl) which has only been available since May. It sold out in the official store on the first day of sales, but later became available at the venue. eBay flippers are buying these up to then sell on at a profit. I think someone here mentioned they were limited to three per person? If that’s the case they must have stacks of them, and no where near as limited as the one day sell-out in the official store implied. It’s almost certainly this that’s mostly responsible for its “success” in the physical chart.
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Post by foreverfan on Aug 27, 2022 19:27:04 GMT
A change of tact....
Does anyone know if they are still giving out Voyage badges at the show ? Or were they for a limited period and are now collectors items, albeit 1000s but....
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Post by madonnabba on Aug 27, 2022 19:37:52 GMT
The fairest way for the chart to mean anything would be one stream one device...would stop all the nonsense of a few thousand fans distorting charts with listening to the same track or tracks and counting towards sales . It would return the singles chart to the way it was ...songs would have a chart life of up to 20 weeks max and no long stays at number one. The charts have became very boring. They need to shake it up.
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Post by joseph on Aug 27, 2022 21:08:34 GMT
I wonder how many of those 3000+ ABBA fans who cram into that arena every day actually go out afterwards and are inspired to purchase any ABBA vinyl/cds (new/old) and not all that merch in the arena? I find it really strange how in this day and age of hi-tech it seems impossible to get accurate figures. Same with the so-called 400m ABBA have purported to have sold through the years. I appreciate it will be impossible to give an EXACT number (I find it astonishing that ABBA GOLD still sells thousands every week! My God, is that just in the UK?! That's incredible) but a true number must be possible to figure out? I dunno, maybe it really is that high.
I have two cd copies of Voyage but I didn't bother buying the vinyl. I understand people bought multiple copies in various colours but I just couldn't get excited about that. Still, whatever brings you pleasure from your hard earned cash.
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Post by Deleted on Aug 28, 2022 6:00:34 GMT
Alan - the blue vinyl edition sold at the concert is neither here nor there for Voyage. Across the country its sales as gine from about 1000 a week to 500 a week. I doubt very many at the concert.
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Post by Alan on Aug 28, 2022 8:51:11 GMT
Alan - the blue vinyl edition sold at the concert is neither here nor there for Voyage. Across the country its sales as gine from about 1000 a week to 500 a week. I doubt very many at the concert. Do you check eBay? Loads on there (it’s orange vinyl - blue was for independent record shops). It seems to be quite a well organised operation these days. It’s why Record Store Day doesn’t really work. The flippers buy up what they can to sell on. It helps that with this variant, you can’t buy it online so anyone that’s not been to see the show yet, or has no immediate plans to do so, has little choice but to use eBay. The official online store probably won’t stock it again after the flippers relieved them of their supplies on the first day. If it’s not enough to make the top 100 (and is one physical sale equivalent to 100 streams or something?) then sales are very low. Easily enough for the flippers to be responsible for its success in the physical chart. Multiple variants are big business now, and done for many major albums. It added to the excitement of Voyage and I don’t have any problem with it, but it’s a bit naive to think it isn’t manipulating sales, especially now when the latest variant is available at the venue. To reach number 100 in the actual albums chart probably only requires about 500 sales (or the level of streams to equal 500 sales), so Voyage’s will be very low indeed. I imagine the physical chart is only really relevant for HMV and other record shops (plus Amazon).
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