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Post by Alan on Apr 30, 2022 23:49:45 GMT
The bit about Agnetha declining to be interviewed for the article is a bit worrying… seems like she’s going back to her old ways, before “A” happened (and as though it never did).
The costumes are all by Dolce and Gabbana then. Did we know that already or is that news?
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Post by tagaytay on May 1, 2022 1:39:55 GMT
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Post by Michal on May 1, 2022 10:09:00 GMT
Great article. I share Alan's worries though. This is probably the last big ABBA event, so I would expect all four to take part in promotion and media talks to some extent. I still hope for them to get together for one final documentary where we could see them sitting down together in one room and reminiscing. If Agnetha is unwilling to do interviews, I'm afraid she won't be much happy with doing anything else. Pity.
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Post by Deleted on May 1, 2022 10:47:22 GMT
Yes, I agree. Agnetha could at the very least make herself available for the opening night - and maybe just ONE interview.
The Concert is a big risk. Let's hope the band has plenty of time to rehearse with the Abbatars in the venue before opening night.
I was looking at ticket availability and it's only first 3 months that are pretty much sold out. Plenty of tickets from September onwards.
Let's hope media interviews and positive reviews help.
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Post by HOMETIME on May 1, 2022 11:58:37 GMT
I really enjoyed that interview - thanks for the workaround, abbafanie ! They come across really well. I take hope from Frida's use of the word "we" in saying that she and Agnetha held off on seeing the show before now, wanting to experience it for the first time at the premiere. Pretty impressive that they got D&G to design the costumes! That alone must have cost a pretty penny. That new image takes some getting used to, though. I don't think I like any of those costumes. Agnetha, Bjorn and Benny look like some Greek Eurovision act from the 1980s, and Frida looks like a Greek Eurovision entry from the 2010s. Or are they trying to emphasise the virgin/vamp dichotomy of their image? Most odd. I suppose the reviews of the premiere and early shows will be the acid test. Our challenge will be filtering out the sychophants and the contrarians determined to hate everything. The punters will be the ultimate arbiters in the end.
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Post by Deleted on May 1, 2022 12:22:42 GMT
I reckon a lot of people are waiting for the reviews and to know what to expect.
Not long to go now to see what it's all about and what songs are in.
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Post by joseph on May 1, 2022 14:25:35 GMT
Personally, I really like the new costumes. I actually think they're beautiful, especially Agnetha's. Frida looks fierce and the guys look cool. It's a nod to the past- brought up to 2022. I have seen people say things like Agnetha's dress is "horrible". I mean, seriously? Being as objective as possible I honestly don't think that's true or fair. It reminds me of her dress from the Fernando period and the Super Trouper video (but the latter wasn't my favourite look, I must admit). I even like the belt! She looks like a Goddess. It's a mixture of their flamboyance and Eurovision and one of their most charming traits: that of not taking themselves too seriously. I love the platform shoes or boots.. bring it on, I say. They couldn't really do too trendy and to simply recreate costumes from 1977 and 1979 would have been lazy. Nope, I think they're just right.
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Post by Michel on May 1, 2022 16:49:11 GMT
Personally, I really like the new costumes. I do too, much better than the 1979 tour outfits. Especially Frida looks amazing in that costume. One thing that strikes me is that they always said the look of the ABBATars would be based on how they looked in 1979, but this looks more like 1977. Maybe they changed their minds. If so, I'm all for it because I think they looked their absolute best in 1977. Agnetha and Frida were both simply stunning in ABBA The Movie.
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Post by Alan on May 1, 2022 17:43:15 GMT
Doesn’t really belong in here, but I’ve made some changes to the structure of the forum. I’ve deleted a few sub-boards, moved others so that they’re more prominent, and got rid of that ABBA Calendar category. In all cases, no topics or posts have been deleted, I’ve simply moved them to a more suitable board. I’ve also removed the “News” section, as everything in it was old. Again, all topics from it moved to more suitable boards. If anyone has any suggestions, feel free to say. In Desktop view, this is how the menu now looks. I didn’t really want “ABBA In The Media” at the top of the ABBA board but can’t seem to move it down on my phone.
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Post by joseph on May 1, 2022 22:47:28 GMT
I like the new layout. Good job, Alan. It's like a spring clean, a spruce-up. I daresay in the coming weeks there might be a flurry of activity with Voyage pending. It struck me recently how long this place has been going- quite an achievement when you think about it. There are so many other options and I indulge a little but I'll always prefer an actual forum.
Incidentally, I noticed Mike's absence. I know he'd always wanted to moderate an ABBA site. I do hope he's happy and well, whatever he's doing.
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Post by gamleman on May 2, 2022 9:09:07 GMT
First of all, thanks to Alan for the site reorganisation.
Now that we are in the month of May, the hype and excitement is building towards the launch of the ABBA Voyage show. I can't say that I feel excited though. For one, I won't be attending the show, but also the images and video clips that I'm seeing are not ABBA as I know them. Back in their day, they weren't particularly dynamic on stage - I have always found their stage demeanor relatively modest and this was part of their attraction for me. I don't care for the exaggerated stage antics of the ABBAtars. My feeling is that the ABBA Voyage show is going to be ABBA as an audience in the 2020s would want them to be, rather than how they were. To an extent, this will kill the image of ABBA that we have enjoyed and so future generations may have a distorted view of how they really were - a bit like re-writing history. Does anyone else feel the same or am I just being a spoil-sport?
I will be interested in the set-list though and in a soundtrack album, if one is released. The ABBA group on Facebook in now being inundated with fan set-lists and I am tired of seeing them in my feed. It seems that not many people pay attention to how to start a show, how to finish a show and the general flow of songs.
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Post by Alan on May 2, 2022 9:21:17 GMT
Well, Facebook is by its very nature “all about me”. I agree though, gamleman. Some will put their own personal choices in there regardless of whether anyone else will be interested. With my dream setlist, I limited my personal choices to two. It’s always been a case of how ABBA would be now if they were that young. It’s a reinvention. I’m not sure about those new outfits though. And as I say, I think the fact that they haven’t got ABBA quite right (Björn and Agnetha especially) might distract me somewhat. It would appear (from everything we’ve seen so far) that the ABBA Tars won’t be changing hairstyles. They appear to be fixed in their 1977 looks (I think I’ll scream if any media still tries to tell us it’s actually 1979!). I doubt they’ll use any actual costumes from the time, but I’d love to see them in one of their 1977 tour outfits.
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Post by richard on May 2, 2022 10:24:12 GMT
I agree pretty much with gamleman; and as Alan says, it's reinvention of ABBA for present times. I'm not particularly bothered about the songs chosen for the show, and as I think people who attend will likely be in a receptive mood, I wouldn't mind that a few less well-known songs were included. But that's unlikely, I'm sure, to be at the expense of the big hits.
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Post by clumsylikeaclown on May 2, 2022 11:22:12 GMT
First of all, thanks to Alan for the site reorganisation. Now that we are in the month of May, the hype and excitement is building towards the launch of the ABBA Voyage show. I can't say that I feel excited though. For one, I won't be attending the show, but also the images and video clips that I'm seeing are not ABBA as I know them. Back in their day, they weren't particularly dynamic on stage - I have always found their stage demeanor relatively modest and this was part of their attraction for me. I don't care for the exaggerated stage antics of the ABBAtars. My feeling is that the ABBA Voyage show is going to be ABBA as an audience in the 2020s would want them to be, rather than how they were. To an extent, this will kill the image of ABBA that we have enjoyed and so future generations may have a distorted view of how they really were - a bit like re-writing history. Does anyone else feel the same or am I just being a spoil-sport? I will be interested in the set-list though and in a soundtrack album, if one is released. The ABBA group on Facebook in now being inundated with fan set-lists and I am tired of seeing them in my feed. It seems that not many people pay attention to how to start a show, how to finish a show and the general flow of songs. On that last point, that's exactly why I haven't tried to make one of my own. I know mostly which songs I'd want but no way would I know what order to put them in beyond having a big number like Dancing Queen as the finale! I'm going into the show with an open mind, though I'm not booked to go until August so by then there'll be plenty of reviews. Though I plan to mostly ignore them like I did with the album reviews, half of which seemed annoyed that Voyage wasn't as strong an album as ABBA Gold, ignoring just what a high bar that is...
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Post by gamleman on May 2, 2022 12:27:18 GMT
Comparing a studio album like "Voyage" with a career-spanning Greatest Hits album like "Gold" is just ridiculous beyond words and I hadn't realised people were doing that. It just shows how ignorant and stupid some people are.
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Post by clumsylikeaclown on May 2, 2022 14:17:57 GMT
Comparing a studio album like "Voyage" with a career-spanning Greatest Hits album like "Gold" is just ridiculous beyond words and I hadn't realised people were doing that. It just shows how ignorant and stupid some people are. I wouldn't call it stupid so much as a sign of just how dominating ABBA Gold is in the public consciousness. Between that and Mamma Mia! means there are twenty or so songs that everyone knows, then everything else gets largely ignored (though Mamma Mia 2 features several lesser known tracks which I liked). Heck, ABBA Gold is still in the top 20 albums charts right this second, weeks after Voyage stopped charting. An album that's existed longer than I have and surely everyone who wants it must have bought three times over by now. Back on topic, there are one or two reviews where they're explicit about comparing it to Gold e.g. in the Telegraph they rated it 3 stars, with the tagline 'Abba's new album contains nothing to match their greatest hits'. With other reviews they don't say it outright but they do carry an undertone of 'it doesn't quite measure up to their most well known songs', which is a bar almost no album could hit, including most of ABBA's own studio albums! Though for the record, I actually think that Don't Shut Me Down and I Still Have Faith In You are good enough to stand up to the Gold tracks. At first I thought a re release of Gold with those two tracks added was an obvious money spinner, but then I realised that CDs can't hold that much audio!
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Post by Deleted on May 2, 2022 16:21:13 GMT
Both Don't Shut Me Down and I Still Have Faith in You are good enough to be on Gold.
CDs can hold 80 minutes. Here's how we can get Don't Shut Me Down onto Gold.
At present running time is 79 minutes. But original release wad 77 minutes - with edited VV and The Name of the Game.
Strip Gimme Gimme Gimme of that unnecessary bridge and down to 76 minutes.
Viola! Don't Shut Me Down can go on the album.
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Post by joseph on May 2, 2022 16:50:04 GMT
Absolutely NO to stripping the bridge in Gimme! Gimme! Gimme (A Man After Midnight)! It's as essential to the song as the guitar solo in Eagle. Agnetha and Frida's voices are like sirens luring the listener in and that baseline is divine. I'm really against stripping songs of anything that was originally placed there. Same with The Name of the Game. It's so annoying when people post abridged versions of ABBA songs.
It won't happen anyway.
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Post by Deleted on May 2, 2022 17:26:33 GMT
Hit a nerve I seriously think my idea of those edits are good to have DSMD on GOLD. 1. VV and TNOTG were originally edited on GOLD 2. GGG video is edited - and second most watched ABBA video 3. All 3 will still have longer versions available. 4. DSMD would be good on GOLD.
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Post by madonnabba on May 2, 2022 19:33:32 GMT
Smooth Radio. 12 Abba songs made it Dancing Queen highest at number 10. Neither DSMD or ISHFIY made the list. TDBYC did. Surprised S.O.S, LAYLOM, TACOM did not make it yet TYFTM and IHAD did.
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Post by Deleted on May 3, 2022 6:59:12 GMT
Smooth Radio. 12 Abba songs made it Dancing Queen highest at number 10. Neither DSMD or ISHFIY made the list. TDBYC did. Surprised S.O.S, LAYLOM, TACOM did not make it yet TYFTM and IHAD did. DSMD and ISHFIY didn't get airplay apart from Radio 2. Smooth and its sister station Magic do play a lot of ABBA but nothing from Voyage. Clearly SOS, LAYLOM, TACOM much better than IHAD or TYFTM. Tells you about Smooth listeners.
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Post by clumsylikeaclown on May 3, 2022 8:28:46 GMT
No 'The Name Of The Game' on the list The biggest surprise for me was The Day Before You Came. It didn't make waves when first released but for some reason in the last decade or so people have really taken to it and rate it highly. I've noticed as well that I Have A Dream really isn't popular amongst many fans which is weird to me as I've always adored it. Since Voyage came along I've taken to considering Ode to Freedom a 'sequel' of sorts to that song
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Post by Deleted on May 3, 2022 10:04:58 GMT
I am neither surprised by The Name of the Game or The Day Before You Came making the list.
As for TDBYC it is really only popular with a small group of hardcore fans. It doesn't get much streams. It really doesn't connect with more casual fans.
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Post by welshboy on May 3, 2022 13:31:06 GMT
On sept 2nd 2021 I had my 22 songs in my head so it will be good to see if any of then will be on the set list. As for the new clothes it looks very 74/75 I am so looking forward to the show and I am counting down the days I have planes a three day visit around London.
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Post by HOMETIME on May 3, 2022 18:19:44 GMT
TDBYC is in my rotating Top 3 ABBA songs with The Visitors and LAAPTMR - they all get a go in the No.1 position depending on my mood. TNOTG is a big favourite with me too - so slinky and elegant.
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Post by gamleman on May 3, 2022 19:08:13 GMT
A few years ago when I compiled my ABBA Top 20, TDBYC was at No 2 after SOS at No 1. TNOTG was at No 3. This was an odd result for me as TDBYC does not really feature the ABBA sound but it does make up for that in other ways. The same can be said of LAAPTMR which I also hold in very high regard and was in my Top 20.
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Post by AdamDawson2003 on May 3, 2022 21:48:01 GMT
Today 3rd May 2022 marks 40 years since ABBA recorded 'You Owe Me One' on 3rd May 1982
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Post by clumsylikeaclown on May 3, 2022 21:52:35 GMT
Much as I love The Day Before You Came, there's one part of the lyrics I never quite wrapped my head around. The beginning makes clear that it takes her around 1 hour 15 minutes from leaving her house to being at her desk (leaves at 8, gets there 9:15). And she leaves at 5pm and gets the train back home, which you'd assume would take a similar amount of time. But it then jumps to 'I must have opened my front door at 8 o'clock or so'... which leaves nearly two hours unaccounted for.
Even factoring in that she stopped on the way back for some Chinese takeaway (apparently Agnetha herself liked Chinese food a lot), I don't see how this would take up so much time. Was there a major train delay or other issue that delayed her commute home by an hour? Did she run an errand or two before getting dinner? Everything else about this song is so detailed the fact that there's this gap bugs me.
And yes, before you ask I have spent far too long thinking about this...
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Post by bennybjorn on May 3, 2022 22:54:40 GMT
No 'The Name Of The Game' on the list The biggest surprise for me was The Day Before You Came. It didn't make waves when first released but for some reason in the last decade or so people have really taken to it and rate it highly. I've noticed as well that I Have A Dream really isn't popular amongst many fans which is weird to me as I've always adored it. Since Voyage came along I've taken to considering Ode to Freedom a 'sequel' of sorts to that song I'm with you on this, Clumsy Clown. I love 'I Have A Dream'. Its emotional punch is phenomenal - the only Abba song to have ever reduced me to tears! It's simply a gorgeous, melancholic masterpiece. The only Abba Gold songs that I don't enjoy listening to are Voulez Vous (non, je ne veux pas!) and Money Money Money. I don't much like Thankyou For... either but that's mainly due to its gloopy arrangement. The chords and melodic structure at the heart of the songs are wonderful.
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Post by gamleman on May 4, 2022 7:46:44 GMT
Much as I love The Day Before You Came, there's one part of the lyrics I never quite wrapped my head around. The beginning makes clear that it takes her around 1 hour 15 minutes from leaving her house to being at her desk (leaves at 8, gets there 9:15). And she leaves at 5pm and gets the train back home, which you'd assume would take a similar amount of time. But it then jumps to 'I must have opened my front door at 8 o'clock or so'... which leaves nearly two hours unaccounted for. Even factoring in that she stopped on the way back for some Chinese takeaway (apparently Agnetha herself liked Chinese food a lot), I don't see how this would take up so much time. Was there a major train delay or other issue that delayed her commute home by an hour? Did she run an errand or two before getting dinner? Everything else about this song is so detailed the fact that there's this gap bugs me. And yes, before you ask I have spent far too long thinking about this... Yes, this difference in travel times puzzled me from the outset. I think she should have looked for another job if it was taking her three hours to get home. I guess it's to do with the lyrics fitting - seven wouldn't have worked and six was too soon after leaving work. I learnt the phrase 'food to go' from this song - I had never heard it before, as we would say 'takeaway'.
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